In this book, John Berger
examines the life and work of Ernst Neizvestny, a Russian sculptor whose exclusion from the ranks of officially approved Soviet artists left him laboring in enforced obscurity to realize his monumental and very public vision of art. But Berger's account goes well beyond the specific dilemma of the pre-glasnost Russian artist to illuminate the very meaning of revolutionary art. In his struggle against official orthodoxy - which involved a face-to-face confrontation with Khrushchev himself - Neizvestny was fighting not for a merely personal or aesthetic vision, but for a recognition of the true social role of art. His sculptures earn a place in the world by reflecting the courage of a whole people, by commemorating, in an age of mass suffering, the resistance and endurance of millions.
was born in London and now lives in a small village in the French Alps. Most recently he has written the novels “To the Wedding ”and “King.”
Patricia Macdonald studied at Edinburgh University, receiving her doctorate in 1973. She is well known for her innovative, award-winning aerial images. Her previous publications include "Shadow of Heaven, Order & Chaos, “and ”Views of Gala. "