Of What One Cannot Speak: Doris Salcedo’s Political Art by Mieke Bal

Of What One Cannot Speak: Doris Salcedo’s Political Art

Mieke Bal
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Details

  • ISBN
    9780226035789 / 0226035786
  • Title Of What One Cannot Speak: Doris Salcedo’s Political Art
  • Author Mieke Bal
  • Category Art & Design Styles: From C 1960
    Sculpture
    Installation Art
  • Format
    Hardcover
  • Year 2011
  • Pages 280
  • Publisher
    University of Chicago Press
  • Imprint University of Chicago Press
  • Language English
  • Dimensions 183mm x 25mm x 234mm

Annotation

Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. This title leads us into intimate encounters with Salcedo's art, encouraging us to consider each work as a 'theoretical object' that invites certain kinds of considerations about history and grief.

Publisher Description

Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. Noted critic and theorist Mieke Bal narrates between the disciplines of contemporary culture in order to boldly reimagine the role of the visual arts. Both women are pathbreaking figures, globally renowned and widely respected. Doris Salcedo, meet Mieke Bal. In “Of What One Cannot Speak,” Bal leads us into intimate encounters with Salcedo's art, encouraging us to consider each work as a “theoretical object” that invites—and demands—certain kinds of considerations about history, death, erasure, and grief. Bal ranges widely through Salcedo's work, from Salcedo's “Atrabiliarios ”series—in which the artist uses worn shoes to retrace “los desaparecidos ”(“the disappeared”) from nations like Argentina, Chile, and Colombia—to “Shibboleth,” Salcedo's once-in-a-lifetime commission by the Tate Modern, for which she created a rupture, as if by earthquake, that stretched the length of the museum hall's concrete floor. In each instance, Salcedo's installations speak for themselves, utilizing household items, human bones, and common domestic architecture to explore the silent spaces between violence, trauma, and identity. Yet Bal draws out even deeper responses to the work, questioning the nature of political art altogether and introducing concepts of metaphor, time, and space in order to contend with Salcedo's powerful sculptures and installations. An unforgettable fusion of art and essay, “Of What One Cannot Speak ”takes us to the very core of events we are capable of remembering—yet still uncomfortably cannot speak aloud.

Review
“Of What One Cannot Speak is the next innovative and brilliant book that will once again push the field of visual studies into unexplored areas.... Bal does not simply take Doris Salcedo's work as her starting point, and neither does she argue that the violence of the political is somehow merely 'reflected' in it. Instead, she embarks on a much more ambitious and original project - initiating a discourse by allowing a work of art to take the lead.” - Hanneke Grootenboer, University of Oxford"

Author Biography

Mieke Bal is Academy Professor at the Royal Netherlands Academy of Arts and Sciences and a cofounder of the Amsterdam School for Cultural Analysis at the University of Amsterdam. Her many books include Loving Yusuf: Conceptual Travels from Present to Past, also published by the University of Chicago Press.

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Of What One Cannot Speak: Doris Salcedo’s Political Art

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