The great Spanish painter and sculptor Pablo Picasso (1881-1973) exhibited a lifelong fascination - some might say 'obsession' - with the work and personality of French artist Edgar Degas (1834-1917). This title presents various instances of Picasso's direct responses to Degas' work, and challenging affinities between their oeuvres.
The great Spanish painter and sculptor Pablo Picasso (1881-1973) exhibited a lifelong fascination-some might say “obsession”-with the work and personality of French artist Edgar Degas (1834-1917). In this groundbreaking study, noted Degas scholar Richard Kendall
and Picasso expert Elizabeth Cowling present well-documented instances of Picasso's direct responses to Degas's work, as well as more conceptual and challenging affinities between their oeuvres. Richly illustrated essays explore the artists' parallel interests in modern urban life, ballet dancers, activities such as bathing and combing the hair, photography, and the challenges of sculpture. The book also provides the first extended analysis of Picasso's engagement with Degas's art in his final years, when he acquired several of the French artist's brothel monotypes and reworked some of them in his own prints. Offering many fresh ideas and a significant amount of new material about two of the most popular and influential artists of the modern era, this handsome book promises to make a lasting contribution to the literature on both artists.
Elizabeth Cowling is Professor Emeritus of History of Art at Edinburgh University, and an independent scholar and exhibition curator. Richard Kendall
is Consultative Curator of Nineteenth-Century Art at the Clark, as well as an independent scholar and exhibition curator. Cecile Godefroy is a researcher at the Fundacion Almine y Bernard Ruiz-Picasso para el Arte in Madrid. Sarah Lees is Associate Curator of European Art at the Clark. Montse Torras is Exhibitions Coordinator at the Museu Picasso in Barcelona.