Ian Fleming and James Bond by Skip Willman, Paperback, 9780253217431 | Buy online at The Nile
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Shaken, not stirred--cultural critics look at the many faces of 007 and his creator.

An entertaining and revealing examination of the many facets of James Bond. Before Bond became a cinematic icon, he was the protaganist of a series of thrillers during the Cold War. Includes topics on Bond's Britishness, James Bond and JFK, and homosexual panic and lesbian Bond-age.

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Summary

Shaken, not stirred--cultural critics look at the many faces of 007 and his creator.

An entertaining and revealing examination of the many facets of James Bond. Before Bond became a cinematic icon, he was the protaganist of a series of thrillers during the Cold War. Includes topics on Bond's Britishness, James Bond and JFK, and homosexual panic and lesbian Bond-age.

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Description

The Cold War agent of pulp fiction and the hero of more than a dozen movies, James Bond, also known as 007, is one of pop culture's most recognizable icons. Doubtless better known from film than from Ian Fleming's novels, the character has become a lightning rod for criticism from all camps. And yet somehow his popularity remains intact. But who is James Bond? Ian Fleming and James Bond: The Cultural Politics of 007 is an entertaining and revealing examination of the many facets of Bond. Before Bond became a cinematic icon, he was the protagonist of a series of thrillers that appeared during the time of Britain's decline as a major power and the heating up of the Cold War. Fleming's character gave expression to biases and anxieties that continue to shape our political worldview in ways both obvious and covert. Fifteen spirited and engaging essays--all new to this volume--cover topics including Bond's Britishness, James Bond and JFK, homosexual panic and lesbian Bond-age, the James Bond lifestyle, and Bond's brands. The contributors are Alexis Albion, Dennis W. Allen, James Chapman, Edward P.Comentale, Vivian Halloran, Jaime Hovey, Aaron Jaffe, Christoph Lindner, Andrew Lycett, Patrick O'Donnell, Craig N. Owens, Brian Patton, Judith Roof, Stephen Watt, and Skip Willman. Edward P. Comentale, Assistant Professor of English at Indiana University, is author of Masses in Relation: Art and Politics in Avant-garde England, 1909-1915. He lives in Bloomington, Indiana. Stephen Watt is Professor of English and Cultural Studies at Indiana University, and author of Postmodern/Drama: Reading the Contemporary Stage, Joyce, O'Casey, and the Irish Popular Theatre. He lives in Bloomington, Indiana. Skip Willman is Assistant Professor of English at the University of South Dakota. He lives in Vermillion, South Dakota.

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Critic Reviews

“"This is a compelling and important book . . . [that] makes a significant contribution not only to studies of Bond and Ian Fleming but also to studies of popular culture in general." -Michael B”

"This is a compelling and important book ... [that] makes a significant contribution not only to studies of Bond and Ian Fleming but also to studies of popular culture in general." --Michael Berube

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About the Author

Edward P. Comentale, Assistant Professor of English at Indiana University, is author of Masses in Relation: Art and Politics in Avant-garde England, 1909–1915. He lives in Bloomington, Indiana.

Stephen Watt is Professor of English and Cultural Studies at Indiana University, and author of Postmodern/Drama: Reading the Contemporary Stage and Joyce, O'Casey, and the Irish Popular Theater. He lives in Bloomington, Indiana.

Skip Willman is Assistant Professor of English at the University of South Dakota. He lives in Vermillion, South Dakota.

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Product Details

Publisher
Indiana University Press
Published
20th April 2005
Pages
312
ISBN
9780253217431

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