Deconstructing the American Mosque by Akel Ismail Kahera, Paperback, 9780292719576 | Buy online at The Nile
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Deconstructing the American Mosque

Space, Gender, and Aesthetics

Author: Akel Ismail Kahera  

Paperback

Explores the history and theory of Muslim religious aesthetics in the United States since 1950

The history and theory of Muslim religious aesthetics in the United States since 1950.

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Summary

Explores the history and theory of Muslim religious aesthetics in the United States since 1950

The history and theory of Muslim religious aesthetics in the United States since 1950.

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Description

From the avant-garde design of the Islamic Cultural Center in New York City to the simplicity of the Dar al-Islam Mosque in Abiquiu, New Mexico, the American mosque takes many forms of visual and architectural expression. The absence of a single, authoritative model and the plurality of design nuances reflect the heterogeneity of the American Muslim community itself, which embodies a whole spectrum of ethnic origins, traditions, and religious practices. In this book, Akel Ismail Kahera explores the history and theory of Muslim religious aesthetics in the United States since 1950. Using a notion of deconstruction based on the concepts of "jamal" (beauty), "subject," and "object" found in the writings of Ibn Arabi (d. 1240), he interprets the forms and meanings of several American mosques from across the country. His analysis contributes to three debates within the formulation of a Muslim aesthetics in North America-first, over the meaning, purpose, and function of visual religious expression; second, over the spatial and visual affinities between American and non-American mosques, including the Prophet's mosque at Madinah, Arabia; and third, over the relevance of culture, place, and identity to the making of contemporary religious expression in North America.

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Critic Reviews

“"This text will be the classic work in the field. . . . It will be extremely useful for general Islamic studies, for studies of religion in America, and for the study of Islam in America." Aminah Beverly McCloud, Associate Professor of Islamic Studies, DePaul University, Chicago”

"This text will be the classic work in the field... It will be extremely useful for general Islamic studies, for studies of religion in America, and for the study of Islam in America." Aminah Beverly McCloud, Associate Professor of Islamic Studies, DePaul University, Chicago

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About the Author

Akel Ismail Kahera is Assistant Professor of Islamic Studies at the University of Texas at Austin.

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More on this Book

From the avant-garde design of the Islamic Cultural Center in New York City to the simplicity of the Dar al-Islam Mosque in Abiquiu, New Mexico, the American mosque takes many forms of visual and architectural expression. The absence of a single, authoritative model and the plurality of design nuances reflect the heterogeneity of the American Muslim community itself, which embodies a whole spectrum of ethnic origins, traditions, and religious practices. In this book, Akel Ismail Kahera explores the history and theory of Muslim religious aesthetics in the United States since 1950. Using a notion of deconstruction based on the concepts of "jamal" (beauty), "subject," and "object" found in the writings of Ibn Arabi (d. 1240), he interprets the forms and meanings of several American mosques from across the country. His analysis contributes to three debates within the formulation of a Muslim aesthetics in North America--first, over the meaning, purpose, and function of visual religious expression; second, over the spatial and visual affinities between American and non-American mosques, including the Prophet's mosque at Madinah, Arabia; and third, over the relevance of culture, place, and identity to the making of contemporary religious expression in North America.

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Product Details

Publisher
University of Texas Press
Published
1st August 2002
Pages
208
ISBN
9780292719576

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