Of What One Cannot Speak by Mieke Bal, Hardcover, 9780226035789 | Buy online at The Nile
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Of What One Cannot Speak

Doris Salcedo's Political Art

Author: Mieke Bal   Series: Emersion: Emergent Village resources for communities of faith

Hardcover

Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. This title leads us into intimate encounters with Salcedo's art, encouraging us to consider each work as a 'theoretical object' that invites certain kinds of considerations about history and grief.

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Summary

Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. This title leads us into intimate encounters with Salcedo's art, encouraging us to consider each work as a 'theoretical object' that invites certain kinds of considerations about history and grief.

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Description

Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. Noted critic and theorist Mieke Bal narrates between the disciplines of contemporary culture in order to boldly reimagine the role of the visual arts. Both women are pathbreaking figures, globally renowned and widely respected. Doris Salcedo, meet Mieke Bal.

In Of What One Cannot Speak, Bal leads us into intimate encounters with Salcedo’s art, encouraging us to consider each work as a “theoretical object” that invites—and demands—certain kinds of considerations about history, death, erasure, and grief. Bal ranges widely through Salcedo’s work, from Salcedo’s Atrabiliarios series—in which the artist uses worn shoes to retrace los desaparecidos (“the disappeared”) from nations like Argentina, Chile, and Colombia—to Shibboleth, Salcedo’s once-in-a-lifetime commission by the Tate Modern, for which she created a rupture, as if by earthquake, that stretched the length of the museum hall’s concrete floor. In each instance, Salcedo’s installations speak for themselves, utilizing household items, human bones, and common domestic architecture to explore the silent spaces between violence, trauma, and identity. Yet Bal draws out even deeper responses to the work, questioning the nature of political art altogether and introducing concepts of metaphor, time, and space in order to contend with Salcedo’s powerful sculptures and installations.

An unforgettable fusion of art and essay, Of What One Cannot Speak takes us to the very core of events we are capable of remembering—yet still uncomfortably cannot speak aloud.

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Critic Reviews

“"Seen against Bal's magnificent oeuvre, Of What One Cannot Speak is the next innovative and brilliant book that will once again push the field of visual studies into unexplored areas. A fusion of monograph and theoretical essay, the book is best described as a demonstration of Bal teaching. She crucially teaches her audience how to make an encounter with an artwork productivenot by applying theoretical ideas, but by working through the object's resistance, by allowing the object to speak back to you. Bal does not simply take Doris Salcedo's work as her starting point, and neither does she argue that the violence of the political is somehow merely 'reflected' in it. Instead, she embarks on a much more ambitious and original projectinitiating a discourse by allowing a work of art to take the lead."Hanneke Grootenboer, Oxford University”

"Of What One Cannot Speak is the next innovative and brilliant book that will once again push the field of visual studies into unexplored areas.... Bal does not simply take Doris Salcedo's work as her starting point, and neither does she argue that the violence of the political is somehow merely 'reflected' in it. Instead, she embarks on a much more ambitious and original project - initiating a discourse by allowing a work of art to take the lead." - Hanneke Grootenboer, University of Oxford"

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About the Author

Mieke Bal is Academy Professor at the Royal Netherlands Academy of Arts and Sciences and a cofounder of the Amsterdam School for Cultural Analysis at the University of Amsterdam. Her many books include Loving Yusuf: Conceptual Travels from Present to Past, also published by the University of Chicago Press.

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Product Details

Publisher
The University of Chicago Press | University of Chicago Press
Published
30th January 2011
Pages
296
ISBN
9780226035789

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