Picture Imperfect by Anne Maxwell, Paperback, 9781845194154 | Buy online at The Nile
Departments
 Free Returns*

Picture Imperfect

Photography and Eugenics, 1879-1940

Author: Anne Maxwell  

Paperback

Analyses the photographs that helped strengthen as well as bring down the Eugenics Movement. Concentrating mainly on developments in Britain, the USA and Nazi Germany, this book argues that photography, as the most powerful visual medium of the late nineteenth and early twentieth centuries, was vital to the Eugenics Movement's success.

Read more
New
$79.34
Or pay later with
Check delivery options
Paperback

PRODUCT INFORMATION

Summary

Analyses the photographs that helped strengthen as well as bring down the Eugenics Movement. Concentrating mainly on developments in Britain, the USA and Nazi Germany, this book argues that photography, as the most powerful visual medium of the late nineteenth and early twentieth centuries, was vital to the Eugenics Movement's success.

Read more

Description

Documents and critically analyses the photographs that helped strengthen as well as bring down the Eugenics Movement. Using a large body of racial-type images and a variety of historical and archival sources, and concentrating mainly on developments in Britain, the USA and Nazi Germany, the author argues that photography, as the most powerful visual medium of the late nineteenth and early twentieth centuries, was vital to the Eugenics Movement's success -- not only did it allow eugenicists to identify the people with superior and inferior hereditary traits, but it helped publicise and lend scientific authority to eugenicists' racial theories. The author further argues for a strong connection between the racial-type photographs that eugenicists created and the photographic images produced by nineteenth-century anthropologists and prison authorities, and that the photographic works of contemporary liberal anthropologists played a significant role in the Eugenics Movement's downfall. Besides adding to our knowledge of photography's crucial role in helping to authorise and implement some of the most controversial social policies of modern times, this book makes a major contribution to our understanding of the history of racism. Most accounts of eugenics have been written by history of science scholars, with an emphasis on the history of science and medicine. In contrast, "Picture Imperfect" looks at eugenics from the standpoint of its most significant cultural data -- racial-type photography, investigating the techniques, media forms, and styles of photography used by eugenicists, and relating these to their racial theories and their social policies and goals. Indeed, the visual archive was crucially constitutive of eugenic racial science because it helped make many of its concepts appear both intuitive as well as scientifically legitimate. Discussion of the history of the eugenics movement encompasses a wide narrative, including Nazi history, US politics, criminology and prison studies, and propaganda.

Read more

Critic Reviews

“"With well over 100 photographs to support the analysis, this examination of the influence of photography on the eugenics movement adds an important chapter to the history of better breeding. Focusing mainly on the UK, U.S., and Germany, Maxwell divides her book into three sections: a history of the movement; how advocates used photographs to educate the public about the need to sterilize the "unfit"; and how a group composed mostly of anthropologists used photographs to refute the arguments made by eugenicists. She notes that in the early 1900s the photograph was seen as capturing reality and revealing truth. The eugenic mug shot, the favourite type of picture used by proponents, reframed reality for those persons already troubled by the social disruption caused by rapid industrialization, and frightened by the increasing number of immigrants who arrived to work in industrial factories. Eugenicists played to the emotions of the white Anglo-Saxon Protestants who feared that they were losing control of their world. Thus, by placing structural analysis of the visual archive of the movement demonstrates that, in this case, a picture was worth a thousand words. Recommended."”

"This book makes a significant contribution to an underexamined and important topic. Eugenics had an immense (mainly negative) impact on twentieth-century social and political history, and as Anne Maxwell demonstrates this was in large part because of its use of modern visual technologies, particularly photography. This story should not be allowed to disappear from cultural memory and Anne Maxwell's careful and path-breaking scholarship will do much to keep it there." -- Simon During, Johns Hopkins University.

Read more

About the Author

Anne Maxwell is a Senior Lecturer in the School of Culture and Communications at the University of Melbourne where she teaches courses on literary criticism and cultural studies. She has published widely in the fields of colonial visual cultures and colonial and postcolonial literature.

Read more

Product Details

Publisher
Liverpool University Press
Published
11th March 2010
Pages
286
ISBN
9781845194154

Returns

This item is eligible for free returns within 30 days of delivery. See our returns policy for further details.

New
$79.34
Or pay later with
Check delivery options