In January 1943, 230 women of the French Resistance were sent to the death camps by the Nazis who had invaded and occupied their country. This is their story, told in full for the first time—a searing and unforgettable chronicle of terror, courage, defiance, survival, and the power of friendship.
They were teachers, students, chemists, writers, and housewives; a singer at the Paris Opera; a midwife; a dental surgeon. They distributed anti-Nazi leaflets, printed subversive newspapers, hid resisters, secreted Jews to safety, transported weapons, and conveyed clandestine messages. The youngest was a schoolgirl of sixteen, who scrawled "V" (for victory) on the walls of her lycEe; the eldest, a farmer's wife in her sixties who harbored escaped Allied airmen. Strangers to one another, hailing from villages and cities across France—230 brave women united in defiance of their Nazi occupiers—they were eventually hunted down by the Gestapo. Separated from home and loved ones, imprisoned in a fort outside Paris, they found solace and strength in their deep affection and camaraderie.
In January 1943, they were sent to their final destination: Auschwitz. Only forty-nine would return to France.
Drawing on interviews with these women and their families, and on documents in German, French, and Polish archives, "A Train in Winter" is a remarkable account of the extraordinary courage of ordinary people—a story of bravery, survival, and the enduring power of female friendship.
Caroline Moorehead is the biographer of Bertrand Russell, Freya Stark, Iris Origo, and Martha Gellhorn. Well known for her work in human rights, she has published a history of the Red Cross and an acclaimed book about refugees, "Human Cargo". Her previous book was "Dancing to the Precipice", a biography of Lucie de la Tour du Pin. She lives in London and Italy.
"A necessary book. . . . Compelling and moving. . . . The literature of wartime France and the Holocaust is by now so vast as to confound the imagination, but when a book as good as this comes along, we are reminded that there is always room for something new."--Jonathan Yardley, Washington Post
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