By reading the eighteenth century in terms of risk rather than certainty, Raving at Usurers offers a reassessment of what has been called the financial revolution in England and provides a revisionist account of the intimate connection between risk, ethics, and economics in the period.
By reading the eighteenth century in terms of risk rather than certainty, Raving at Usurers offers a reassessment of what has been called the financial revolution in England and provides a revisionist account of the intimate connection between risk, ethics, and economics in the period.
In Raving at Usurers, Dwight Codr explores the complex intersection of religion, economics, ethics, and literature in late seventeenth- and eighteenth-century England. Codr offers an alternative to the orthodox story of secular economic modernity's emergence in this key time and place, locating in early modern anti-usury literature an ""ethic of uncertainty"" that viewed economic transactions as ethical to the extent that their outcomes were uncertain. Codr’s development of an ""anti-financial"" reading practice reveals that the financial revolution might be said to have grown out of—rather than in spite of—early modern anti-usury and Protestant ethics.
Beginning with the reconstruction of a major controversy provoked by the delivery of a sermon against usury in the financial heart of London, Codr goes on to show not only how the ethic at the core of the discourse surrounding usury in the eighteenth century was culturally mediated but also how that ethic may be used as a lens to better understand major works of eighteenth-century literature. Codr offers radically new perspectives on Daniel Defoe’s Robinson Crusoe and Henry Fielding’s Tom Jones, examining how these novels reacted to emergent financial ways of knowing and meaning as well as how the texts formally bear out the possibility of a truly open and uncertain future.
By reading the eighteenth century in terms of risk rather than certainty, Raving at Usurers offers a reassessment of what has been called the financial revolution in England and provides a revisionist account of the intimate connection between risk, ethics, and economics in the period.
“Raving at Usurers pursues an exciting and original project. Its recovery of the ethics of risk is an important contribution to our discussions of morality, literature, and economics in the eighteenth century.”
Raving at Usurers pursues an exciting and original project. Its recovery of the ethics of risk is an important contribution to our discussions of morality, literature, and economics in the eighteenth century."" — Wolfram Schmidgen, Washington University in St. Louis, author of Exquisite Mixture: The Virtues of Impurity in Early Modern England
""Raving at Usurers is a self-declared ‘contrarian’ reconsideration of the financial revolution of the 1690s. It is also a bold, brilliant, compelling account of the way economics and ethics were gradually torn asunder as ‘risk’ was defined as a threat to self-preservation rather than an opportunity to display obedience to God. This pathbreaking book should be required reading for anyone who wants to understand the history of capitalism or to see what we have lost in our collective flight from an ethics of uncertainty."" — Mary Poovey, New York University, author of Genres of the Credit Economy: Mediating Value in Eighteenth- and Nineteenth-Century Britain
Dwight Codr is Associate Professor of English at the University of Connecticut, USA.
In Raving at Usurers, Dwight Codr explores the complex intersection of religion, economics, ethics, and literature in late seventeenth- and eighteenth-century England. Codr offers an alternative to the orthodox story of secular economic modernity's emergence in this key time and place, locating in early modern anti-usury literature an "ethic of uncertainty" that viewed economic transactions as ethical to the extent that their outcomes were uncertain. Codr's development of an "anti-financial" reading practice reveals that the financial revolution might be said to have grown out of--rather than in spite of--early modern anti-usury and Protestant ethics. Beginning with the reconstruction of a major controversy provoked by the delivery of a sermon against usury in the financial heart of London, Codr goes on to show not only how the ethic at the core of the discourse surrounding usury in the eighteenth century was culturally mediated but also how that ethic may be used as a lens to better understand major works of eighteenth-century literature. Codr offers radically new perspectives on Daniel Defoe's Robinson Crusoe and Henry Fielding's Tom Jones, examining how these novels reacted to emergent financial ways of knowing and meaning as well as how the texts formally bear out the possibility of a truly open and uncertain future. By reading the eighteenth century in terms of risk rather than certainty, Raving at Usurers offers a reassessment of what has been called the financial revolution in England and provides a revisionist account of the intimate connection between risk, ethics, and economics in the period.
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