Clearly and compactly explains the fundamentals of good fiction-writing, with examples from a wide variety of known writers.
Clearly and compactly explains the fundamentals of good fiction-writing, with examples from a wide variety of known writers.
The art of writing fiction successfully requires not only talent but craft. This book is a guide to that craft - for writers who want to understand and master the basics of what makes a novel or story work well.
The principles and sound practical advice offered arise from Garry Disher's own deep experience as a professional writer, as well as a teacher of writing, an editor of collections, and a judge for fiction awards. Disher illustrates his points with examples from many other Australian and international fiction writers, presenting a candid picture of the pleasures and pitfalls across a diversity of fiction-writing experiences.
Ranging across from the most significant elements of fiction, such as plot characterisation and voice, to fine details like the use of tense, Disher's hands-on advice can only help fiction writers write better fiction.
“"A useful handbook for the beginning writer of fiction." ”
A useful handbook for the beginning writer of fiction. "Library Journal""
--"Library Journal"
Garry Disher grew up in rural South Australia and now lives near the Victorian Coast. In 1978 he was awarded a creative writing fellowship to Stanford University, California, where he wrote his first short-story collection. A full-time writer for many years, he is the author of novels, short story collections, writers' handbooks, anthologies, and books for children.
His novel The Sunken Road (A+U 1996), was shortlisted for several major awards and nominated for the Booker Prize by his English publisher.
The art of writing fiction successfully requires not only talent but craft. This book is a guide to that craft - for writers who want to understand and master the basics of what makes a novel or story work well. The principles and sound practical advice offered arise from Garry Disher's own deep experience as a professional writer, as well as a teacher of writing, an editor of collections, and a judge for fiction awards. Disher illustrates his points with examples from many other Australian and international fiction writers, presenting a candid picture of the pleasures and pitfalls across a diversity of fiction-writing experiences. Ranging across from the most significant elements of fiction, such as plot characterisation and voice, to fine details like the use of tense, Disher's hands-on advice can only help fiction writers write better fiction.
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