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Dickinson

Selected Poems and Commentaries

Author: Helen Vendler  

Paperback

The best close reader of poems to be found on the literary pages. -- Seamus Heaney There is just no way of summarizing a critic as subtle and meticulous as [Vendler]. -- Marilyn Butler

Seamus Heaney, Denis Donoghue, William Pritchard, Harold Bloom, and many others have praised the author as one of the most attentive readers of poetry. In this title, she turns her illuminating skills as a critic to 150 selected poems of Emily Dickinson. She serves as a guide, considering the stylistic and imaginative features of the poems.

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Summary

The best close reader of poems to be found on the literary pages. -- Seamus Heaney There is just no way of summarizing a critic as subtle and meticulous as [Vendler]. -- Marilyn Butler

Seamus Heaney, Denis Donoghue, William Pritchard, Harold Bloom, and many others have praised the author as one of the most attentive readers of poetry. In this title, she turns her illuminating skills as a critic to 150 selected poems of Emily Dickinson. She serves as a guide, considering the stylistic and imaginative features of the poems.

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Description

Seamus Heaney, Denis Donoghue, William Pritchard, Marilyn Butler, Harold Bloom, and many others have praised Helen Vendler as one of the most attentive readers of poetry. Here, Vendler turns her illuminating skills as a critic to 150 selected poems of Emily Dickinson. As she did in The Art of Shakespeare's Sonnets, she serves as an incomparable guide, considering both stylistic and imaginative features of the poems.

In selecting these poems for commentary Vendler chooses to exhibit many aspects of Dickinson's work as a poet, "from her first-person poems to the poems of grand abstraction, from her ecstatic verses to her unparalleled depictions of emotional numbness, from her comic anecdotes to her painful poems of aftermath." Included here are many expected favorites as well as more complex and less often anthologized poems. Taken together, Vendler's selection reveals Emily Dickinson's development as a poet, her astonishing range, and her revelation of what Wordsworth called "the history and science of feeling."

In accompanying commentaries Vendler offers a deeper acquaintance with Dickinson the writer, "the inventive conceiver and linguistic shaper of her perennial themes."All of Dickinson's preoccupations-death, religion, love, the natural world, the nature of thought-are explored here in detail, but Vendler always takes care to emphasize the poet's startling imagination and the ingenuity of her linguistic invention. Whether exploring less familiar poems or favorites we thought we knew, Vendler reveals Dickinson as "a master" of a revolutionary verse-language of immediacy and power. Dickinson: Selected Poems and Commentaries will be an indispensable reference work for students of Dickinson and readers of lyric poetry.

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Critic Reviews

“What Vendler did for Shakespeare's sonnets, she has done again for Dickinson's poems, demonstrating her refined skill and rare gift for loving attentiveness. When our age of hurry and perspiration threatens close reading, Vendler helps us slow down--way down until meter, word choice, punctuation, metaphors, tone, and allusion matter. She deftly reveals that form is as much a carrier of meaning as content.”

The best close reader of poems to be found on the literary pages. -- Seamus Heaney
There is just no way of summarizing a critic as subtle and meticulous as [Vendler]. -- Marilyn Butler
Emily Dickinson is certainly never going to be an easy poet to understand, but her dense, poignant lyrics are now a lot more accessible to ordinary readers thanks to Vendler's unravelings. If you're going to read Dickinson, this "selected poems and commentary" is the place to start. -- Michael Dirda Washington Post
Emily Dickinson is the sorcerer's stone. Her poetry contains, no, is, the most essential, passionate use of English and the most essential, passionate connection between the English language and nature (our nature, birds and bees nature, God's nature)...Dickinson's spare use of words are just the tip of her iceberg; the waters below contain so many secrets that it truly helps to have a guide to the meter, the myth, the thread of dreams. [And] if you're going to hire a guide, you may as well have the best, and Vendler is the best. -- Susan Salter Reynolds Los Angeles Times
This book takes 150 of [Emily Dickinson's] poems and devotes a two- or three-page chapter to each. If you have a favorite poem, you look it up and Vendler will walk you through it as if you've never read it before. It's like reading the poem in italics. -- Billy Collins New York Post
Both casual readers and scholars of Dickinson alike will want to purchase it. -- Stacy Russo Library Journal
If it's been a while since you last sat down with Dickinson, now is a great time: Helen Vendler's new book, Dickinson: Selected Poems and Commentaries, is both an anthology (it contains 150 of Dickinson's nearly 1,800 poems) and an interpretive introduction, with a short essay following and explaining each poem. Vendler is almost certainly the best poetry critic in America, and she's hit upon a great way of writing about poetry. Reading each poem, followed by Vendler's commentary, it feels like you're in your own private poetry class. -- Josh Rothman Boston Globe
[A] superb and invigorating new selection of 150 poems and probing commentaries...The poet that Vendler finds in these poems is an ambitious and sometimes magisterial artist of extraordinary range and verbal control. Vendler's comprehensive reassessment of Dickinson's achievement seems to me the most challenging new reading of Dickinson since the poet Adrienne Rich's remarkable essay "Vesuvius at Home" (1975)...What Vendler, perhaps the most skilled and accomplished close reader of lyric poetry of her generation, adds to this picture is a renewed attention to Dickinson's deliberate and consummate artistry, along with a fresh way to read cryptic poems that may seem, superficially, to have little to do with the "maelstrom" of human emotions. -- Christopher Benfey New York Review of Books
The reigning doyenne of American poetry criticism is a close reader par excellence. [Vendler] loves her favorite poets unstintingly. She seems to think and feel in their language--to think and feel through their work, as through a membrane. Her Dickinson: Selected Poems and Commentaries plays exactly to her strengths, as did her 1997 edition of Shakespeare's sonnets...What I like best about Vendler's Dickinson is its can-do attitude. Yes, it assures the reader, the poem says what you think it says: trust your own eyes, experience, and heart...She doesn't try to quash the mystery of the poems; she notes their ambiguities but by and large leaves those to do their work--and leaves us closer to a canonical poet whom we are still only coming to know. -- Lorin Stein Harper's
Dickinson continues to entertain and enlighten me. Vendler manages to clarify and illuminate Dickinson's poetry without oversimplifying the work of a complex mind. Her succinct but astute readings of Emily Dickinson's poetry are little kernels of insight into a wickedly keen poetic mind. -- Hillary Kelly New Republic
This year Helen Vendler published her own selection of Dickinson's verse along with astute commentary. After reading Dickinson's fifty or seventy-five best poems you realize that few poets have written this many poems of this much merit. Dickinson's manuscripts show that she left behind multiple variations on words and phrases, sometimes as many as a dozen, without favoring a particular one. Vendler points out moments when Dickinson wrote one word, only to bracket it and replace it with another. Not since Vendler's meticulous commentary on Shakespeare's sonnets has a finer book of close-readings been published. -- Jeannie Vanasco Lapham's Quarterly
-- Christopher Benson First Things
These commentaries on a selection of Dickinson's poems are best summed up in one word: brilliant. Skeptics who might be inclined to question whether anyone has anything new to say about Dickinson's oeuvre nearly 125 years after her death will find that the answer to that question is a resounding yes. Vendler manages to offer original, insightful observations about Dickinson's humor, her pain, her metaphysical abstractions, and her syntactical inversions. -- D. D. Knight Choice
Vendler's commentaries are enlightening and enjoyable revelations of Dickinson's often elusive meanings; she is also a master of the technical and devotes consistent attention to the poet's metrical skills and innovations. -- Maurice Earls Dublin Review of Books
This new book is as meticulous as Vendler's commentary on Shakespeare's Sonnets (1997). As well as their mysterious inner lives, these are poets who share an ability to compress the maximum force into the fewest words. In Dickinson's case, her manuscripts show that she left behind multiple variations on words and phrases, sometimes as many as a dozen, without any indication of favoring one over the others. She claimed that her closest companion was her lexicon. -- Jeannie Vanasco Times Literary Supplement
Helen Vendler provides clear commentary, uncluttered by fashionable and hyphenated literary theory, on 150 poems by one of the most enigmatic American poets. -- Elizabeth Hoover Pittsburgh Post-Gazette

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About the Author

Helen Vendler is A. Kingsley Porter University Professor at Harvard University.

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Back Cover

[Please include image provided somewhere on the back cover] 'Detailed and colourful insights into the people and events behind Glasgow's half millennium of astronomical achievements and the direction of modern trends.'John C. Brown, 10th Astronomer Royal for ScotlandThe words 'Astronomy' and 'Glasgow' seem an incongruous juxtaposition, and yet the two are closely linked over 500 years of history. This is a tale of enlightenment and scientific progress at both institutional and public levels. Combined with the ambitions of civic commerce, it is a story populated with noteworthy personalities and intense rivalries.It is remarkable to realise that the first Astronomy teaching in the Glasgow 'Colledge' presented an Earth-centred Universe, prior to the Copernican revolution of the mid-sixteenth Century. Glasgow was later known astronomically for the telescope observations of sunspots made by Wilson in the 1760s, but less well known are the advancements in understanding mono-chromaticity within light, to dew point and hoar frost, and Herschel's discovery of infra-red energy in solar radiation by application of Glasgow-made thermometers.This engrossing and entertaining scientific history includes the story of Glasgow's 'Big Bang' of 1863, the controversy over the role of 'Astronomer Royal for Scotland' and a historical survey of the eight observatories that once populated Glasgow. The author brings us a complex weave of science and accompanying social history in this unique and fascinating work. David Clarke is a practical astronomer, having worked around the world on optical telescopes and on space missions such as Skylab and Pioneer 10. His chief focus has been the study of Astronomical Polarimetry and he has spent most of his career within Glasgow University in Education and Research as Observatory Director. He is author of a pair of undergraduate texts, Astronomy: Structure of the Universe (1988) and Astronomy: Principles and Practice (2003), as well as Stellar Polarimetry (2010).Front cover images: Gainsborough House with reflected image of the Connell Building

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Product Details

Publisher
Harvard University Press | The Belknap Press
Published
29th October 2012
Pages
560
ISBN
9780674066380

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