Lee Chong, the owner of the well-stocked grocery store, is also the proprietor of the Palace Flophouse that Mack and his troupe of good-natured 'boys' call home. Dora runs the Bear Flag Restaurant with clockwork efficiency and a generous heart, and Doc, secreted away in his home at Western Biological Laboratories, is the fount of all wisdom.
John Steinbeck's paean to the Monterey County of his youth, Cannery Row contains an introduction by Susan Shillinglaw in Penguin Modern Classics.In the din and stink that is Cannery Row a colourful blend of misfits - gamblers, whores, drunks, bums and artists - survive side by side in a jumble of adventure and mischief. Lee Chong, the astute owner of the well-stocked grocery store, is also the proprietor of the Palace Flophouse that Mack and his troupe of good-natured 'boys' call home. Dora runs the Bear Flag Restaurant with clockwork efficiency and a generous heart, and Doc, secreted away in his home at Western Biological Laboratories, is the fount of all wisdom. Packed with invention and ramshackle joie de vivre, Cannery Row is Steinbeck's high-spirited tribute to his native California. If you enjoyed Cannery Row you might like Steinbeck's Sweet Thursday, also available in Penguin Modern Classics.'A very human writer; uninhibited, bawdy, and compassionate, inquisitive and deeply intelligent' Daily Telegraph
Nobel Prize-winning author John Steinbeck is remembered as one of the greatest and best-loved American writers of the twentieth century. His complete works will be published in Penguin Modern Classics.
Winner of the 2012 Fifty Books/Fifty Covers show, organized by Design Observer in association with AIGA and Designers & Books Winner of the 2014 Type Directors Club Communication Design Award Praise for Penguin Drop Caps: "[Penguin Drop Caps] convey a sense of nostalgia for the tactility and aesthetic power of a physical book and for a centuries-old tradition of beautiful lettering." "Fast Company" Vibrant, minimalist new typographic covers . Bonus points for the heartening gender balance of the initial selections. Maria Popova, "Brain Pickings" "The Penguin Drop Caps series is a great example of the power of design. Why buy these particular classics when there are less expensive, even free editions of "Great Expectations"? Because they re beautiful objects. Paul Buckley and Jessica Hische s fresh approach to the literary classics reduces the design down to typography and color. Each cover is foil-stamped with a cleverly illustrated letterform that reveals an element of the story. Jane Austen s A ("Pride and Prejudice") is formed by opulent peacock feathers and Charlotte Bronte s B ("Jane Eyre") is surrounded by flames. The complete set forms a rainbow spectrum prettier than anything else on your bookshelf." Rex Bonomelli, "The New York Times" "Drool-inducing." "Flavorwire" "Classic reads in stunning covers your book club will be dying." "Redbook""
I loved it - and to my mind - it fits admirably an immediate need in our season's lists, - the need for a richly patterned story spun out of another layer of that peculiar underworld with which Steinbeck is at his best. Once again, as in Tortilla?? Flat, he makes no effort to stress "social significance". To be sure, one can strain at his underlying meanings and say that such people should not exist in today's plenty - but no one can argue that they wouldn't exist again tomorrow if eliminated today. Flotsam?? and jetsam of humanity, - the gang of boys who could get jobs but didn't except when emergency demanded - and then quit when the emergency passed. Lee's felicitous acquiescence to their thinly veiled urging that they become caretakers of his newly acquired shack; their neighbors in the deserted lot; Doc, high mogul of the marine laboratory, doctor to the neighborhood on occasion, beloved by all; and the others who made up the dregs of Cannery Row. The story builds up to first one and then another climax, as the boys plan a party for Doc. There's humor - and pathos - and sheer good story telling as the incidents unfold. The plot is tenuous, held together by the characters. But Steinbeck succeeds in making them human, likable, out of drawing but never in caricature. And one feels that to him, too, they are part of the flavor of a folk legend of today. (Kirkus Reviews)
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