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Danny the Champion of the World

Roald Dahl


ISBN: 9780141365411
ANNOTATION:
Danny lives in a gipsy caravan with his father, the most marvellous and exciting father any boy ever had. All the land around them belongs to Mr Victor Hazell, a rich snob with a great glistening beery face and tiny piggy eyes. Nobody likes him, not one-little bit.
Danny the Champion of the World
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ISBN: 9780141365411
ANNOTATION:
Danny lives in a gipsy caravan with his father, the most marvellous and exciting father any boy ever had. All the land around them belongs to Mr Victor Hazell, a rich snob with a great glistening beery face and tiny piggy eyes. Nobody likes him, not one-little bit.

Annotation

Danny lives in a gipsy caravan with his father, the most marvellous and exciting father any boy ever had. All the land around them belongs to Mr Victor Hazell, a rich snob with a great glistening beery face and tiny piggy eyes. Nobody likes him, not one-little bit.

Publisher Description

A true genius . . . Roald Dahl is my hero" - David Walliams

Phizzwhizzing new cover look and branding for the World's NUMBER ONE Storyteller! Danny lives in a gipsy caravan with his father, the most marvellous and exciting father any boy ever had. All the land around them belongs to Mr Victor Hazell, a rich snob with a great glistening beery face and tiny piggy eyes. Nobody likes him, not one-little bit. So one day, Danny and his father concoct a daring plot that will give the old blue-faced baboon Victor Hazell the greatest shock of his life - so long as they don't get caught ... Now you can listen to DANNY THE CHAMPION OF THE WORLD and other Roald Dahl audiobooks read by some very famous voices, including Kate Winslet, David Walliams and Steven Fry - plus there are added squelchy soundeffects from Pinewood Studios! And look out for new Roald Dahl apps in the App store and Google Play- including the disgusting TWIT OR MISS! and HOUSE OF TWITS inspired by the revolting Twits.

Author Biography

Sitting in a hut at the bottom of his garden, surrounded by odd bits and pieces such as a suitcase (used as a footrest), his own hipbone (which he'd had replaced) and a heavy ball of metal foil (made from years' worth of chocolate wrappers), Roald Dahl wrote some of the world's best-loved stories including Charlie and the Chocolate Factory, The Twits, The Witches, The BFG, Fantastic Mr Fox, James and the Giant Peach and lots more. Quentin Blake is one of Britain's most successful illustrators. He has illustrated nearly three hundred books and he was Roald Dahl's favourite illustrator. He has won many awards including the Whitbread Award and the Kate Greenaway Medal and taught for over twenty years at the Royal College of Art. In 1999 he became the first ever Children's Laureate and in 2013 he was knighted in the New Year's Honours.

Promotional "Headline"

A stodgy parent is no fun at all. What a child wants and deserves is a parent who is Sparky.

Excerpt from Book

The Filling Station WHEN I was four months old, my mother died suddenly and my father was left to look after me all by himself. This is how I looked at the time. I had no brothers or sisters. So all through my boyhood, from the age of four months onward, there was just us two, my father and me. We lived in an old gypsy caravan behind a filling station. My father owned the filling station and the caravan and a small meadow behind, but that was about all he owned in the world. It was a very small filling station on a small country road surrounded by fields and woody hills. While I was still a baby, my father washed me and fed me and changed my diapers and did all the millions of other things a mother normally does for her child. That is not an easy task for a man, especially when he has to earn his living at the same time by repairing automobile engines and serving customers with gasoline. But my father didn''t seem to mind. I think that all the love he had felt for my mother when she was alive he now lavished upon me. During my early years, I never had a moment''s unhappiness or illness, and here I am on my fifth birthday. I was now a scruffy little boy as you can see, with grease and oil all over me, but that was because I spent all day in the workshop helping my father with the automobiles. The filling station itself had only two pumps. There was a wooden shed behind the pumps that served as an office. There was nothing in the office except an old table and a cash register to put the money into. It was one of those where you pressed a button and a bell rang and the drawer shot out with a terrific bang. I used to love that. The square brick building to the right of the office was the workshop. My father built that himself with loving care, and it was the only really solid thing on the place. "We are engineers, you and I," he used to say to me. "We earn our living by repairing engines and we can''t do good work in a rotten workshop." It was a fine workshop, big enough to take one automobile comfortably and leave plenty of room around the sides for working. It had a telephone so that customers could ring up and arrange to bring their cars in for repair. The caravan was our house and our home. It was a real old gypsy wagon with big wheels and fine patterns painted all over it in yellow and red and blue. My father said it was at least one hundred and fifty years old. Many gypsy children, he said, had been born in it and had grown up within its wooden walls. With a horse to pull it, the old caravan must have wandered for thousands of miles along the roads and lanes of England. But now its wanderings were over, and because the wooden spokes in the wheels were beginning to rot, my father had propped it up underneath with bricks. There was only one room in the caravan, and it wasn''t much bigger than a fair-sized modern bathroom. It was a narrow room, the shape of the caravan itself, and against the back wall were two bunk beds, one above the other. The top one was my father''s, the bottom one mine. Although we had electric lights in the workshop, we were not allowed to have them in the caravan. The electricity people said it was unsafe to put wires into something as old and rickety as that. So we got our heat and light in much the same way as the gypsies had done years ago. There was a wood-burning stove with a chimney that went up through the roof, and this kept us warm in winter. There was a kerosene burner on which to boil a kettle or cook a stew, and there was a kerosene lamp hanging from the ceiling. When I needed a bath, my father would heat a kettle of water and pour it into a basin. Then he would strip me naked and scrub me all over, standing up. This, I think, got me just as clean as if I were washed in a bathtub probably cleaner because I didn''t finish up sitting in my own dirty water. For furniture, we had two chairs and a small table, and those, apart from a tiny chest of drawers, were all the home comforts we possessed. They were all we needed. The lavatory was a funny little wooden hut standing in the meadow way back of the caravan. It was fine in summertime, but I can tell you that sitting out there on a snowy day in winter was like sitting in an icebox. Immediately behind the caravan was an old apple tree. It bore fine apples that ripened in the middle of September. You could go on picking them for the next four or five weeks. Some of the boughs of the tree hung right over the caravan and when the wind blew the apples down in the night, they often landed on our roof. I would hear them going thump... thump... thump... above my head as I lay in my bunk, but those noises never frightened me because I knew exactly what was making them. I really loved living in that gypsy caravan. I loved it especially in the evenings when I was tucked up in my bunk and my father was telling me stories. The kerosene lamp was turned low, and I could see lumps of wood glowing red-hot in the old stove, and wonderful it was to be lying there snug and warm in my bunk in that little room. Most wonderful of all was the feeling that when I went to sleep, my father would still be there, very close to me, sitting in his chair by the fire, or lying in the bunk above my own.

Product Details

Year
2016
ISBN-10
0141365412
ISBN-13
9780141365411
Format
Paperback
Author
Roald Dahl
Pages
240
Audience Age
7
Illustrator
Quentin Blake
Country of Publication
United Kingdom
Illustrations
black and white line throughout
Media
Book
Publication Date
2016-02-11
Language
English
Audience
Children/Juvenile
Publisher
Penguin Random House Children's Uk