Hard-Boiled Wonderland and the End of the World

His fantasies, with their easy reference to western pulp fiction and music, retain a beauty of the mind * Guardian *
A remarkable writer…he captures the common ache of contemporary heart and head
Combines a witty sci-fi pastiche and a dream-like Utopian fantasy in two separate narratives which alternate in an interweave of precognition and deja vu * Independent *
Here is abundant imagination at play * Sunday Times *
Murakami’s bold willingness to go straight-over-the-top has always been a signal indication of his genius…a powerful melange of disillusioned radicalism, keen intelligence, wicked sarcasm and a general allegiance to the surreal. If Murakami is the “voice of a generation,” as he is often proclaimed in Japan, then it is the generation of Thomas Pynchon and Don De Lillo * Washington Post *
He has become the foremost representative of the new style of Japanese writing: hip, cynical, highly stylized, set at the juncture of cyberpunk, postmodernism and hard-boiled detective fiction… Murakami is adept at outrageous wit, outrageous style. * Los Angeles Times *

In 1978, Haruki Murakami was 29 and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers’ award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, which turned Murakami from a writer into a phenomenon. His books became bestsellers, were translated into many languages, including English, and the door was thrown wide open to Murakami’s unique and addictive fictional universe.

Murakami writes with admirable discipline, producing ten pages a day, after which he runs ten kilometres (he began long-distance running in 1982 and has participated in numerous marathons and races), works on translations, and then reads, listens to records and cooks. His passions colour his non-fiction output, from What I Talk About When I Talk About Running to Absolutely On Music, and they also seep into his novels and short stories, providing quotidian moments in his otherwise freewheeling flights of imaginative inquiry. In works such as The Wind-Up Bird Chronicle, 1Q84 and Men Without Women, his distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring Murakami’s place as one of the world’s most acclaimed and well-loved writers.

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