Look at the Birdie by Kurt Vonnegut - ISBN: 9780099548850
Paperback
Lost Vonnegut stories: funny, cautionary tales of a postwar world.

Look at the Birdie

$23.42

  • Paperback

    272 pages

  • Release Date

    1 November 2010

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Summary

LOOK AT THE BIRDIE is a collection of fourteen previously unpublished stories by the twentieth-century master.

Look at the Birdie evokes a world in which squabbling couples, high school geniuses, misfit office workers, and small-town Lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. In “Confido,” a family learns the downside of confiding their deepest secrets into a magical invention. In “Ed Luby’s Key Club,” a man finds himself in a Kaf…

Book Details

ISBN-13:9780099548850
ISBN-10:0099548852
Author:Kurt Vonnegut
Publisher:Vintage Publishing
Imprint:Vintage
Format:Paperback
Number of Pages:272
Release Date:1 November 2010
Weight:238g
Dimensions:196mm x 128mm x 20mm
Series:Vintage Books
What They're Saying

Critics Review

The wittiest man since Groucho Marx and the wisest since Karl Marx

The wittiest man since Groucho Marx and the wisest since Karl Marx * The Times *For the last years of his life, Vonnegut was our sage and chain-smoking truth teller… Why these stories went unpublished is hard to answer. They’re polished, they’re relentlessly fun to read, and every last one of them comes to a neat and satisfying end – Dave Eggers * New York Times Review of Books *

These [stories] date from early in his literary career in the early to mid-Fifties, but already they show the hallmarks of Vonnegut’s distinctive voice and style - that unique mixture of knowingness and wide-eyed innocence, warmth and cynicism, guile and simplicity…. Not too difficult to see why he didn’t manage to place these stories at the time - the early Fifties wasn’t ready for such darkness and lightly-worn subversion. Terrific

* Daily Mail *What is surprising about these 14 short stories written by the master satirist during the 1950s, is that not one has been published before. it is not for want of quality: they are rather wonderful… They are uncharacterisable, but so was Vonnegut (The New York Times said it best in calling him the laughing proophet of doom). The opening tale, Confido, starts the collection as it means to go on: it is mischievious, nutty and astute – David Hayles * The Times *The fourteen unpublished stories in Look at the Birdie are as outlandish and well turned as anything he wrote, displaying his impish playfulness. Most authors spend a lifetime finding their voice. Here we see that Vonnegut’s was well-established at the start of his career: tightly plotted yet loose in style; spry; sporadic if not downright acerbic, yet with plenty of laughter in the dark. […] warm, generous and uncompromising spirit behind this collection. – Neil Fitzgerald * Times Literary Supplement *…they show the hallmarks of Vonnegut’s distinctive voice and style - that unique mixture of knowingness and wide-eyed innocence, warmth and cynicism, guile and simplicity…Not too difficult to see why he didn’t manage to place these stories at the time - the early Fifties wasn’t ready for such darkness and lightly-worn subversion. Terrific. * Daily Mail *rather wonderful…still knocks most purveyors of the short story form into a cocked hat – David Hayles * The Times *Look at the Birdie is a valuable time capsule, providing insight into the early developments of Vonnegut’s style. Wry and ironic commentary connect each story making this collection an enjoyable read * Aesthetica *All the stories are clever, witty and written with Vonnegut’s trademark invention – Simon Shaw * Mail on Sunday *Look at the Birdie is a valuable time capsule, providing insight into the early developments of Vonnegut’s style. Wry and ironic commentary connect each story making this collection an enjoyable read – Cherie Federico * Aesthetica *

About The Author

Kurt Vonnegut

Kurt Vonnegut was born in Indianapolis in 1922 and studied biochemistry at Cornell University. During WWII, as a prisoner of war in Germany, he witnessed the destruction of Dresden by Allied bombers, an experience which inspired Slaughterhouse Five. Vonnegut’s black humor, satiric voice, and incomparable imagination first captured America’s attention in The Sirens of Titan in 1959 and established him as ‘a true artist’ with Cat’s Cradle in 1963. He was, as Graham Greene declared, ‘one of the best living American writers’. Vonnegut died in April 2007.

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