Prague in Danger

“Prague in Danger is a compulsive read, and very finely done. There is by now a mass of more or less analytical commentary on the Protectorate, and of course we have powerful memoirs and personal testimony. But I haven’t seen the two genres combined in this way, and with such great sensitivity to the interplay of public and private.
“Demetz conveys very poignantly, and with sharp insight, just what it was like to live day to day in occupied Prague, and moreover to live right at the intersection of the Czech, Jewish and German spheres. He embodies exactly what was destroyed by Nazi thuggery and then by Czech vengefulness. I enjoyed too the forays into cultural history–of jazz or film, for example, or about Orten and Jesenska; and I hope that they can be appreciated, even by those who know nothing of the background, as conveying a flavour of the period and place.
“The politics are likewise depicted with a sure touch and sound judgment, as well as with an eye for the unfamiliar vignette, even in the case of the best-known episodes. Demetz’s book should sharpen many readers’ sense of the peculiar tragedy of the very last phase of the old multicultural Prague whose downfall he chronicles.” –Robert Evans, Regius Professor of History, Oxford University

“Demetz conveys very poignantly, and with sharp insight, just what it was like to live day to day in occupied Prague, and moreover to live right at the intersection of the Czech, Jewish and German spheres. He embodies exactly what was destroyed by Nazi thuggery and then by Czech vengefulness. I enjoyed too the forays into cultural history–of jazz or film, for example, or about Orten and Jesenska; and I hope that they can be appreciated, even by those who know nothing of the background, as conveying a flavour of the period and place.
“The politics are likewise depicted with a sure touch and sound judgment, as well as with an eye for the unfamiliar vignette, even in the case of the best-known episodes. Demetz’s book should sharpen many readers’ sense of the peculiar tragedy of the very last phase of the old multicultural Prague whose downfall he chronicles.” –Robert Evans, Regius Professor of History, Oxford University

“The politics are likewise depicted with a sure touch and sound judgment, as well as with an eye for the unfamiliar vignette, even in the case of the best-known episodes. Demetz’s book should sharpen many readers’ sense of the peculiar tragedy of the very last phase of the old multicultural Prague whose downfall he chronicles.” –Robert Evans, Regius Professor of History, Oxford University

“A rich and intricate story … [Demetz] deftly tells the legends of the city’s origin … He deliberately avoids the sanitized and prettified guidebook approach to Prague in favor of a more somber register which acknowledges that conflicts were never far beneath the surface and could explode in the most brutal forms.” –R.J.W. Evans, The New York Review of Books on Prague in Black and Gold

”[Demetz] writes with the ease and authority of a man showing us his old neighborhood. He seems to be on speaking terms with the many poets, chroniclers, rabbis, and clerics who lived and wrote in Prague, and allows us to read history through their lives and words … Reading Demetz is more like taking a graduate course with a master teacher: You know you are in the hands of an authority.” –Helen Epstein, The Boston Sunday Globe on Prague in Black and Gold

Peter Demetz is the author of many books, including The Air Show at Brescia, 1909 (FSG, 2002) and Prague in Black and Gold (H&W, 1997). He lives in Cambridge, Massachusetts.

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