Painted Veil

STARRED REVIEW
Set in 1730s Venice, Myers’s second baroque mystery skillfully guides the reader past the dangers of fame to the nature of music and love, fulfilling the promise of her well-received debut, Interrupted Aria (2004). At the Teatro San Marco, soprano castrato Tito Amato is struggling with his demotion to lesser roles when the strangled body of Luca Cavalieri, a talented if unscrupulous set designer and painter, turns up in a canal. Suspicion points to his lover, Liya Del’Vecchio, a “Jewess” whom Tito falls for on sight. When the opera company director asks Tito to investigate Cavalieri’s murder, he’s only too glad to comply. Accompanied by Augustus “Gussie” Rumbolt, a younger son of English nobility on the grand tour, he explores the first European ghetto. All foreigners are suspect and restricted in the fading sun of Venetian trading pre-eminence, but onlyJews are locked up at night in the old ironworks. When a rabble-rousing, pseudonymous pamphlet accuses Liya’s cousin of the murder and poisoning wells, Tito gets mixed up in necromancy and secret societies as well. Myers provides an insightful and tender look at how those who are different-castrati, women, Jews-were treated at the time, as well as a wonderful view of elegant, decadent, nothing-is-as-it-seems-from-behind-the-masque Venice. Agent, Ashley Grayson Literary Agency. – Publishers Weekly (2.28.2005)

Beverle Graves Myers combines a love of Italy, mystery, and opera in her Tito Amato novels featuring an 18th-century singer-sleuth. The latest title in the six-book series is Whispers of Vivaldi. With Joanne Dobson, she has also co-authored Face of the Enemy, a stand-alone mystery set in New York City on the eve of World War II. Beverle and husband Lawrence divide their time between Kentucky and Florida.

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