Lost and Never Found

As in all fine novels, it is the voice that grips you: ironic, eloquent, but compassionate. – Nicholas Clee * Bookbrunch *
Better than Morse in its bite, pace, urgency and characterisation. * The Critic *
Mason has created a gripping case while making his cops so human they leap off the pages. * Peterborough Telegraph *
Superb * Sun *
Class conflict and police corruption are at the heart of the third novel in this superb series. * Sunday Times (Pick of the Month, Jan 2024) *
Class conflicts and police corruption are at the heart of the third novel in this superb series. * The Times (The 10 best crime and mystery books of 2024) *
The satisfyingly knotted plot is underpinned by acute psychology * Mail on Sunday *
An original and unexpectedly attractive character * Literary Review *
My favourite UK series. – M W Craven
Simon Mason’s Ray Wilkins crime novels are my latest addiction. I wait impatiently for each one. What are the triple pillars of any great story? Character, Plot and Language. In the twin heroes of his novels (both called Wilkins and so unalike: they somehow create together one immortal police detective) he has created characters for the ages. His plots race thrillingly around an Oxford you never knew existed. His language though … without exhibiting a trace of “writerly” self-consciousness, he is capable of phrase-making and description of the very highest quality. Those three perfect pillars support truly memorable crime novels, as great a contribution to the noble British genre of detective fiction as any writer for decades. – Stephen Fry

Simon Mason has pursued parallel careers as a publisher and an author, whose YA crime novels Running Girl, Kid Got Shot and Hey, Sherlock! feature the sixteen-year-old slacker genius Garvie Smith. A former Managing Director of David Fickling Books, where he worked with many wonderful writers, including Philip Pullman, he has also taught at Oxford Brookes University and is currently a Royal Literary Fund Fellow at Exeter College, Oxford.

At first he wrote books for adults, then books for children, which grew up at roughly the same rate his own children grew up, and now he is back writing books for adults again. He has written a work of non-fiction, The Rough Guide to Classic Novels. His novels have been shortlisted for a number of awards, including the Branford Boase Prize for Best First Children’s Novel, the Guardian Children’s Fiction Prize, the Costa Prize for Best Children’s Book, and have won the Betty Trask for Best First Novel and the Crimefest Prize for Best YA Crime Novel.

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