Blood on the Forge

“In his Blood on the Forge, William Attaway presents with skill the impact of industrial life on the simple black folk who fled the plantations of the South….[I]t will add…a new and better knowledge of American civilization. The reality that Attaway depicts is not beautiful, but it is none the less moving and human for that.” —Richard Wright

“Spanning two areas and eras of Negro experience, those of the semi-feudal plantation and the industrial urban environment, Attaway’s source material receives its dynamic movement from the clash of two modes of economic production. The characters are caught in the force of a struggle which, like the steel furnace, roars throughout its pages….Attaway has proven himself one of the most gifted Negro writers.” —Ralph Ellison

“[Blood on the Forge] is incredibly violent… There is a certain absolute vividness to what is being told here, it is brutality being made absolutely plain… Brilliant.” —Marlon and Jake Read Dead People Podcast

William Attaway (1911-1986) was born in Mississippi, the son of a physician who moved his family to Chicago to escape the segregated South. Attaway was an indifferent student in high school, but after hearing a Langston Hughes poem read in class and discovering that Hughes was black, he was inspired with an urgent ambition to write. Rebelling against his middle-class origins, Attaway dropped out of the University of Illinois and spent some time as a hobo before returning to complete his college degree in 1936.

He then worked variously as a seaman, a salesman, a union organizer, and as part of the Federal Writers’ Project, where he made friends with Richard Wright. Attaway moved to New York, published his first novel, Let Me Breathe Thunder (1939), the story of two white vagrants traveling with a young Mexican boy, and quickly followed it with Blood on the Forge (1941), about the fate of three African-American brothers in the Great Migration to the North.

Attaway never produced another novel, but went on to prosper as a writer of radio and television scripts, screenplays, and numerous songs, including the “Banana Boat Song (Day-O),” which was a hit for his friend Harry Belafonte. A resident for many years of Barbados, Attaway returned to the United States toward the end of his life. He died in Los Angeles while working on a script.

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