Jack the Modernist

“In Jack the Modernist self-exploration is so precise as to become impersonal. And some real sex at last. One is reminded of Genet and the transmutation of sex into something beyond sex. Glück even makes the disappointments, impasses and blind alleys of love moving and interesting. He seems to say everything in a fresh way. Not since Genet have we seen such pure love of the human body and soul…seen as one flesh palpable as a haze.” —William S. Burroughs

“In Jack the Modernist, Robert Glück explores nuances of love never annotated before.” —Edmund White

“Jack the Modernist is the novel with the most information and most beauty. Glück is an extraordinary philosopher of ethics, aesthetics, and the English sentence—a thinker of the originality of William James, with the formal range of his brother Henry. This republication is cause for celebration not only because Jack the Modernist is an utter joy to read, but because it calls our attention to an era-defining artist and public intellectual in our midst.” —Lucy Ives

“In Jack the Modernist we find a testing and perfecting of language so skillful it appears to merge completely with the author’s intelligence and feelings.” —Dennis Cooper

“What Glück shows us is that some of the most meaningful experiences of life only get deformed by being squeezed into the structure of a story. A collage like Jack the Modernist offers different satisfactions, different ways of apprehending experience.” —Matthew Cheney

“The elaborate, imaginatively stunning discursiveness of Glück’s writing is itself the very joyful, harrowing resolution to [Jack the Modernist’s] conflict; in effect, art compensates for life’s failures to reciprocate. In so doing, it recasts Bob’s obsessions with his own experience into a plethora of responses that engage the reader cathartically and craftily.” —Steve Benson, San Francisco Chronicle

Robert Glück is a poet, fiction writer, critic, potter, and editor. In the late 1970s, he and Bruce Boone founded New Narrative, a literary movement of self-reflexive storytelling that combines essay, lyric, and autobiography in one work. Gl ck is the author of the story collections Elements and Denny Smith; the novels Jack the Modernist, Margery Kempe, and About Ed (all published by New York Review Books); and a volume of collected essays, Communal Nude. His books of poetry include La Fontaine with Bruce Boone, Reader, In commemoration of the Visit with Kathleen Fraser, and I, Boombox. Gl ck has served as codirector at Small Press Traffic, as an associate editor at Lapis Press, and as the director of the Poetry Center at San Francisco State University, where he is an emeritus professor.

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