Wrong Norma

Uncompromisingly intelligent, while being effortlessly readable, and – a word critics don’t often use about Carson – fun * Daily Telegraph *
I’m a big fan of her work… There’s a joy in encountering a mind that takes nothing for granted… She pinpoints the collision of oracle and anachronism – Teju Cole, author of Tremor
Wrong Norma is the poet at her best: humorous, whimsical, erudite, moving, unpretentious * Times Literary Supplement *
Reading this astounding, virtuosic book is a sampling of interiority. It is extraordinary because the form partakes the unjoined nature of human thought…. A triumph of a book * Observer *
Carson’s latest work displays her brilliance and originality through a series of hybrid, free-flowing text interspersed with images and digressions… These prose poems evince clarity, precision and attention * Guardian *
She is one of the few writers writing in English that I would read anything she wrote – Susan Sontag, author of Against Interpretation
Powerfully moving… Wrong Norma can also be funny… Full of wit, pain and the wonder of language * Spectator *
Carson applies the habits of classical scholarship, the linguistic rigor, the relentless search for evidence, the jigsaw approach to scattered facts, to the trivia of contemporary private life * New York Magazine *
Anne Carson is, for me, the most exciting poet writing in English today – Michael Ondaatje, author of The English Patient
Her work is full of moments of startling originality and beauty. The poems play with character and plot, myth and magic; they are rich with attitude and wit and the undertow of grief. If she was a prose writer she would instantly be recognised as a genius – Colm Tóibín, author of Brooklyn

Anne Carson was born in Canada and has been a professor of Classics for over thirty years. Her awards and honours include the T. S. Eliot Prize, a Lannan Award, the Pushcart Prize, the Griffin Prize, on two occasions, fellowships from the Guggenheim and MacArthur Foundations, and the Princess of Asturias Award for Literature 2020.

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