Art After Conceptual Art
- Paperback
240 pages
- Release Date
27 October 2006
Summary
Well-known art historians from Europe and the Americas discuss the influence of conceptualism on art since the 1970s.Art After Conceptual Art tracks the various legacies of conceptualist practice over the past three decades. This collection of essays by art historians from Europe and the Americas introduces and develops the idea that conceptual art generated several different, and even contradictory, forms of art practice. Some of these contested commonplace assumptions of what art is; others…
Book Details
| ISBN-13: | 9780262511957 |
|---|---|
| ISBN-10: | 0262511959 |
| Author: | Alexander Alberro, Sabeth Buchmann |
| Publisher: | MIT Press Ltd |
| Imprint: | MIT Press |
| Format: | Paperback |
| Number of Pages: | 240 |
| Release Date: | 27 October 2006 |
| Weight: | 476g |
| Dimensions: | 229mm x 165mm x 19mm |
| Series: | Art After Conceptual Art |
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Critics Review
The pointed differences of opinion and radical departures from established theory considered here instead offer a fresh perspective on the implication of working in a conceptual mode in the global arena of the 21st century. This is an important prompt to a developing discussion.
* Canadian Art *About The Author
Alexander Alberro
Alexander Alberro is Virginia Bloedel Wright Professor of Art History at Barnard College. He is the author of Conceptual Art and the Politics of Publicity and the coeditor of Conceptual Art- A Critical Anthology, both published by The MIT Press.Sabeth Buchmann, an art historian and critic, is Professor of Modern and Postmodern Art and Head of the Institute for Art Theory and Cultural Studies at the Academy of Fine Arts Vienna.Alexander Alberro is Virginia Bloedel Wright Professor of Art History at Barnard College. He is the author of Conceptual Art and the Politics of Publicity and the coeditor of Conceptual Art- A Critical Anthology, both published by The MIT Press.Benjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of Neo-Avantgarde and Culture Industry- Essays on European and American Art from 1955 to 1975 (MIT Press) and other books.Helen Molesworth is Chief Curator at the Institute for Contemporary Art, Boston. She edited Louise Lawler’s Twice Untitled and Other Pictures (looking back), published by the Wexner Center for the Arts and distributed by the MIT Press.Isabelle Graw (Frankfurt am Main/Berlin) is Professor of Art Theory and Art History at the Staatliche Hochschule f r bildende K nste-St delschule, Frankfurt am Main. In 1990 Graw and Stefan Germer founded the quarterly magazine Texte zur Kunst. In 2003, Graw and Daniel Birnbaum founded the Institut f r Kunstkritik at the St delschule.Sabeth Buchmann, an art historian and critic, is Professor of Modern and Postmodern Art and Head of the Institute for Art Theory and Cultural Studies at the Academy of Fine Arts Vienna.
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