Synthetic Aesthetics

Far from an ivory tower text, Synthetic Aesthetics is a true collaboration between scientists, designers and thinkers who cross borders and disciplines to test the limits of biology in the digital world. Can bacteria be programmed to alert you when you’re ill? Will we one day devise a synthetic organism that can suck up pollution in the wild? Is it possible to decentralise the petrochemical industry and distribute production and power? How long until machines take on lives of their own? Sooner than most of us imagine, it seems. By joining forces, the authors are able to bring disparate theories into the world, closer to life and into language even the laymen can understand.

Synthetic Aesthetics…is a freewheeling book with 20 authors and may irritate conventional scientists—some of the ideas were dreamed up while ‘performing a dance based on the myth of the Golem’, for example. But it certainly explains the key ideas of the field and leads you to many lateral conversations about what it may become. In the first few chapters, one central concern is what is meant by ‘design’. An engineer might think of designing a bridge to a particular specification; a synthetic biologist of designing a microorganism with a new commercial application, pumping out green gasoline for example; but a real designer, a fashion designer, for example, is doing something else. As artist Daisy Ginsberg puts it, design ‘is about possibility’, the unimagined things that life could be. Synthetic biology, she writes, has been addressing ‘humanity’s needs’—limitless fuel, for example—rather than ‘our needs as individual, diverse and complex humans’. This is refreshing: worries about the separation between the top-down design of the future and those who must live with the designs are quite rare in science.

Synthetic Aesthetics is wise in not attempting a comprehensive survey of this fast changing and much contested industry, but by taking a collaborative approach that attempts to integrate design based questioning with scientific practice, it provides lots of juicy clues about where we could be headed.

Alexandra Daisy Ginsberg is a London-based artist, designer, and writer.Jane Calvert is a social scientist based in Science, Technology and Innovation Studies at the University of Edinburgh.Pablo Schyfter is a social scientist based in Science, Technology and Innovation Studies at the University of Edinburgh.Alistair Elfick is Codirector of the SynthSys Centre at the University of Edinburgh.Drew Endy is a bioengineer at Stanford University and President of the BioBricks Foundation.Alistair Elfick is Codirector of the SynthSys Centre at the University of Edinburgh.Drew Endy is a bioengineer at Stanford University and President of the BioBricks Foundation.Alexandra Daisy Ginsberg is a London-based artist, designer, and writer.Drew Endy is a bioengineer at Stanford University and President of the BioBricks Foundation.Pablo Schyfter is a social scientist based in Science, Technology and Innovation Studies at the University of Edinburgh.Alexandra Daisy Ginsberg is a London-based artist, designer, and writer.Pablo Schyfter is a social scientist based in Science, Technology and Innovation Studies at the University of Edinburgh.Alistair Elfick is Codirector of the SynthSys Centre at the University of Edinburgh.Jane Calvert is a social scientist based in Science, Technology and Innovation Studies at the University of Edinburgh.Pablo Schyfter is a social scientist based in Science, Technology and Innovation Studies at the University of Edinburgh.Jane Calvert is a social scientist based in Science, Technology and Innovation Studies at the University of Edinburgh.Alexandra Daisy Ginsberg is a London-based artist, designer, and writer.

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