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AI images challenge what photography is and how we see it.
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Digital Photography After AI

Continuity and Rupture in the Age of Automated Images

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$63.75

  • Paperback

    296 pages

  • Release Date

    22 December 2026

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Summary

How AI-generated images radically alter our interactions with photography as well as our understanding of it.

In recent years, artificial intelligence technologies have made it easy for anyone to produce images that look indistinguishable from photographs. How do these AI-generated images change our understanding of photography? Should we consider them photography at all? In Digital Photography After AI, Amanda Wasielewski explores these questions as well as the historical an…

Book Details

ISBN-13:9780262056397
ISBN-10:0262056399
Author:Amanda Wasielewski
Publisher:MIT Press Ltd
Imprint:MIT Press
Format:Paperback
Number of Pages:296
Release Date:22 December 2026
Weight:369g
Dimensions:152mm x 229mm
A-Format
B-Format
Digital Photography After AI by Amanda Wasielewski - ISBN: 9780262056397
152 × 229 mm
C-Format
A4
mm / in
What They're Saying

Critics Review

ENDORSEMENTS

“Has a book ever been as timely as this one? Fluent in both theoretical and technological discourse, Digital Photography After AI puts the latest debates about image-making into a cogent historical context in a quest to identify what has irrevocably changed about the practice of photography, and what has not.”
—Geoffrey Batchen, author of Negative/Positive: A History of Photography

“A major contribution to the debate over the status of photography today. With her command of both history and theory, Wasielewski argues convincingly that generative AI does not spell the end of photography but instead suggests a redefinition of the photographic image itself.”
—Jay David Bolter, author of The Digital Plenitude: The Decline of Elite Culture and the Rise of New Media

“Situating synthetic imagery inphotography’s longer history, Wasielewski brilliantly demonstrates that the questions AI raises about authorship, authenticity, and appropriation are not new but newly urgent— an important theoretical milestone that will inspire discussions for years to come.”
—Roland Meyer, Bridge Professor for Digital Cultures and Arts, University of Zurich and Zurich University of the Arts

About The Author

Amanda Wasielewski

Amanda Wasielewski is an artist and art historian. She is Associate Senior Lecturer of Digital Humanities and Associate Professor of Art History in the Department of ALM (Archives, Libraries, Museums) at Uppsala University. She is the author of Computational Formalism (MIT Press).

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