Transcription

This may be the best novel you’ll read all year… Brilliant and incisive… Intelligent and elegant * Telegraph *
A short, smart novel about parenthood and influence; about how much of our lives we have ceded to the black rectangles in our pockets * Observer *
Lerner is a linguistic magician and here is another triumphant and beautiful sleight of hand – Daisy Johnson
Transcription is another masterful intervention from a writer of unparalleled exactitude and intelligence. Lerner’s linguistic precision, stylistic brilliance and philosophical range are not only thrilling things to encounter on the page, they are gentle surgical tools for a tender existential operation upon the reader. They crack open a profound reckoning with how we are living now, and the effect is genuinely startling. We call this fiction, but it is much, much more – Max Porter
Transcription is both dizzyingly accomplished and disarmingly tender - an acutely elegant and forensic meditation on the disorientation of what it means to be alive now – Sophie Mackintosh
‘Novels of ideas’ don’t need to wear them on their sleeve. Beneath its superficially simple tale of a man visiting his old mentor, this one has impressive depths: it touches on old age, loss and the double-edged sword of modern technology. Lerner … is already, at just 46, established as one of America’s leading writers. This book proves why * Telegraph *
Puzzle-like… a smart and subtle meditation on technology, memory and the Covid pandemic, as well as a very human story about family and fatherhood. You’ll read it, then want to read it again * GQ *
A Lerner novel is always an event * FT *
[Poses] daunting questions about how we process information and what memory is * AnOther *
A layered exploration of memory, masculinity and technology * Mail on Sunday *
A powerfully distilled novel about fathers and sons, mortality and inheritance and the technologies shaping our lives * Bookseller *
At 144 pages, Ben Lerner’s Transcription has a slightness that may surprise some of his admirers. The more I read, however, the more deliberate it felt: a novel about technology, kept short enough for even the most internet-addled mind to finish in an afternoon. The story is rather simple…yet Lerner turns this banal inciting incident into a brilliant philosophical meditation on what happens when we outsource our memories to our devices * Frieze *
Quietly provocative and thoughtful * International Times *
Lerner combines fiction and criticism to postulate both a novel vision of the social possibilities of art and the artistic possibilities of socialising * Review31 *
Smartphones have become so integral to our lives, really external hard drives to brains and souls, that how modern authors incorporate them into regular old paper books has become a kind of steeplechase. Right now Lerner, with his combination of erudition and lightness, and decathlete’s command of different, overlapping genres, is winning * New York Times *
The novel is about fiction and our relationship with our devices and the powerlessness that we feel in middle age in the face of our elders and our children… Bewitching * Sunday Times *
A breathtaking interrogation of family, connection and memory… Transcription reveals itself as more, far more, than an anthropology of digital modernity * Guardian *
Cerebral yet tender * Literary Review *
There have been other notable attempts to pin down the doubleness, the contrarily engaged and dissociative elsewhereness of our lives online… No contemporary writer, however, is better on the complexities of this subject than Ben Lerner * Times Literary Supplement *
A slim but nifty affair about our contemporary reliance, our reflex use, of the mobile phone * Tablet *
Intriguing… A meditation on generational memory, the collective consciousness, and more. If that sounds convoluted, it isn’t. In Lerner’s hands, it is smart, bold, funny and clever. How does he do it? * Marie Claire *
A haunting story about fatherhood and middle age… Some of Lerner’s most brilliant and daring writing to date, a mad oracular burst of speech - about technology, parenthood, and dreaming - that flits effortlessly between prose and poetry * Vulture *
Remarkable… By turns slapstick and sincere… From book to book, [Lerner’s] writing crackles with new insights * Harper’s *
Compelling… There is enough strangeness and unpredictability baked into the form that it bears and rewards rereading. Each time something new makes sense and something else unravels * ArtReview *
Lerner conjures a remarkable meditation on memory, communication and what the narrator at one point calls “technologies of capture”… Transcription is a formidable addition to his already stellar body of work * Irish Independent *
A masterful, uncanny exploration of technology and memory * Guardian *
Slender and subtle * LRB *
Playful… Heart-wrenching… Dizzyingly precise * Morning Star *
A thought-provoking, emotional, and challenging story that consumes the reader… It’s like nothing you’ll have read before, and is hard to forget once completed * PA *
Few books so aptly capture the weirdness of being flanked by two mutually incomprehensible generations-tech-illiterate elders on the one hand and digital natives on the other-and the mental gymnastics involved in liaising between them… Brilliant * n+1 *
Touchingly human… Our sense of what and who we know is upended * Saturday Paper *
Remarkable… Transcription never stops asking whether technology corrodes authentic experience. But this ultimately leaves us with a different question: whether it can also carry what we most want to pass on * Jacobin *
America’s most acclaimed novelist… Transcription silences any doubts about the Lerner hype * GQ *
This slender novel packs a lot in… [Lerner’s] most moving novel yet, with a tender message about human frailty at its core that lingers long after the book’s end * AnOther *
Anxieties, mostly earnest, permeate its pages, but this is not Lerner’s contribution to the “techlash”. It’s a book that trades in thought-provoking ambiguities and intellectual nuance… The yet-to-be-deleted truth is that fiction such as his keeps us connected to reality in ways that even functioning smartphones cannot * Irish Times *
Brilliant… A tour de force * New Statesman *
Brilliantly rendered… A coolly brilliant novel that demands to be read again, and again, and again * Daily Mail *
I’ve read this short, glittering novel three times now and found new things to admire in it each time. Lerner is a magician. Even when he shows you how the trick is performed, you wonder how he does it * Spectator *
Poignant… This is a story of crossed wires, disconnection and anxious attachments - to fathers, father figures and digital comfort blankets * Irish Times *
Beautifully observed… This is an immensely satisfying read: a philosophical puzzle-box of a story that you’ll read in an evening but ponder over for much longer than that * Bookmunch *
Transcription isn’t the kind of novel that you finish reading, not really. The more it percolates in your mind, the more sure you become that its author, the American writer Ben Lerner, is a bit of a genius… Quite stunning * Shortlist *
Riveting… Some brilliant passages showcase Lerner’s gifts of narrative timing, not least a bruisingly bittersweet account of deathbed goodbyes over the phone during lockdown * Observer *
Lerner is always excellent on the knots our brains tie us in * The Critic *
Lerner’s sentences are finely attuned to the phone’s subtle rewiring of consciousness * ArtReview *
Beguiling… Transcription blossoms as you re-read it: the more you scrutinize its plain surface the more pattern and artifice you see… Dreamlike * New Left Review *
A compact, conceptual fable… Both tender and exacting-a meditation on intergenerational exchange in an age when everything is recorded and nothing, quite, is kept * Hauser & Wirth *
Dazzling * NYRB *
Just 144 pages, but full of thought-provoking questions * Observer *
Offers shrewd insight into art and technology, friendship and fatherhood, and the reliability of memory * Economist *

BEN LERNER was born in Topeka, Kansas, in 1979. He has received fellowships from the Fulbright, Guggenheim, and MacArthur Foundations, and is the author of three internationally acclaimed novels, Leaving the Atocha Station, 10:04 and The Topeka School. He has published the poetry collections The Lichtenberg Figures, Angle of Yaw (a finalist for the National Book Award), Mean Free Path, No Art and The Lights, as well as the essay The Hatred of Poetry. In 2011, he became the first American to win the Munster Prize for International Poetry. Lerner lives and teaches in Brooklyn.

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