States of Terror
History, Theory, Literature
$73.66
- Paperback
288 pages
- Release Date
8 March 2019
Summary
How have we come to depend so greatly on the words terror and terrorism to describe broad categories of violence? David Simpson offers here a philology of terror, tracking the concept’s long, complicated history across literature, philosophy, political science, and theology—from Plato to NATO.
Introducing the concept of the “fear-terror cluster,” Simpson is able to capture the wide range of terms that we have used to express extreme emotional states over the centuries—from anxiety, awe, and concern to dread, fear, and horror. He shows that the choices we make among such words to describe shades of feeling have seriously shaped the attribution of motives, causes, and effects of the word “terror” today, particularly when violence is deployed by or against the state. At a time when terror-talk is widely and damagingly exploited by politicians and the media, this book unpacks the slippery rhetoric of terror and will prove a vital resource across humanistic and social sciences disciplines.
Book Details
| ISBN-13: | 9780226600222 |
|---|---|
| ISBN-10: | 022660022X |
| Author: | David Simpson |
| Publisher: | The University of Chicago Press |
| Imprint: | University of Chicago Press |
| Format: | Paperback |
| Number of Pages: | 288 |
| Release Date: | 8 March 2019 |
| Weight: | 420g |
| Dimensions: | 152mm x 229mm |

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Critics Review
“Analyzing the language that we use to talk about the affective state of terror from Plato to the aftermath of 9⁄11, Simpson discusses the nuanced meanings of the cluster of words that signify this affect… States of Terror takes very seriously the power of language to produce coercion, but it is also optimistic about critical reading practices as a way to resist or escape from such coercion.”– “Eighteenth-Century Fiction”
David Simpson
David Simpson is distinguished professor and G. B. Needham Chair of English at the University of California, Davis. He is the author, most recently, of Romanticism and the Question of the Stranger.
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