The Panopticon

It’s in the Margaret Atwood/The Handmaid’s Tale vein – very literary and suspenseful…Set in an altered reality – one that feels familiar and yet deeply unfamiliar, that embodies some of the dailiness of life, and yet slowly reveals itself to be a very different, much more sinister place. – Gillian Flynn, author of GONE GIRL
Each page sparkles with the ebullient and sinister magic of great storytelling … An utterly magnificent achievement. * Irvine Welsh *
Not just uncompromising and courageous. I think it’s one of the most cunning and spirited novels I’ve read for years… An intelligent and deeply literary novel. – Ali Smith
Written with great verve and brio … An astonishing debut, I have a feeling that Fagan is a name we will hear more of. – Jackie Kay
The 15-year-old heroine and narrator, has a rough, raw, joyous voice that leaps right off the page and grabs you by the throat…This punkish young philosopher is struggling with a terrible past, while battling sinister social workers…The glorious Anais is unforgettable. * The Times *
It is the most assured and intriguing first novel by a Scottish writer that I have read in a decade, a book which is lithely and poetically written, politically and morally brave and simply unforgettable. … As a debut, The Panopticon does everything it should. It announces a major new star in the firmament. – Stuart Kelly * Scotsman *
Jenni Fagan is the real thing, and The Panopticon is a real treat: maturely alive to the pains of maturing, and cleverly amused as well as appalled by what it finds in the world. * Andrew Motion *
An indictment of the care system, this dazzling and distinctive novel has at its heart an unstoppable heroine…Fagan’s prose is fierce, funny and brilliant at capturing her heroine’s sparky smartness and vulnerability…Emotionally explosive. * Marie Claire *
Ferocious and devastating, The Panopticon sounds a battle-cry on behalf of the abandoned, the battered, and the betrayed. To call it a good novel is not good enough: this is an important novel, a book with a conscience, a passionate challenge to the powers-that-be. Jenni Fagan smashes every possible euphemism for adolescent intimacy and adolescent violence, and she does it with tenderness and even humour. Hats off to Jenni Fagan! I will be recommending this book to everyone I know. * Eleanor Catton, author of The Rehearsal *
Reminiscent of Girl, Interrupted…The novel is as bold, shocking and intelligent as its central character…The institutional details (magnolia walls, screwed-down chairs) anchor The Panopticon in realism, giving it a greater bite. Much of Anais’ life is the stuff of tabloid shock stories and The Panopticon’s strength lies in giving you an insight into the lonely, damaged girl behind the headlines…This week’s winner. * Stylist *

Jenni Fagan was born in Scotland. She won the Gordon Burn Prize for her memoir, Ootlin, which was also longlisted for the Women’s Prize for Non-Fiction. Her debut novel, The Panopticon, saw her selected as a Granta Best Young British Novelist, and her second novel, The Sunlight Pilgrims, gained her Scottish Author of the Year. Jenni has been listed for the Encore Award, the James Tait Black Memorial Prizes, the Desmond Elliott Prize, the Sunday Times Short Story Award, and the Pushcart Prize. She is a Doctor of Philosophy, a member of Liberty, and a Royal Society of Literature Fellow. She lives in Edinburgh with her son.

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