Written when Hemingway was at the height of his creative powers, the stories in Winner Take Nothing glow with the mark of his unique talent.Hunters, wives, old men of wisdom, waiters, fighters, women loved, women lost: they are all here, living on the raw edge, making love, facing the inevitable reality of death.
Written when Hemingway was at the height of his creative powers, the stories in Winner Take Nothing glow with the mark of his unique talent.
Hunters, wives, old men of wisdom, waiters, fighters, women loved, women lost- they are all here, living on the raw edge, making love, facing the inevitable reality of death.
The characters, the dialogue, the settings, the remarkable insight could have come only from Hemingway's imagination. As an introduction to his work, or as an overview of the themes he developed at greater length in his novels, it is a stunningly successful collection. From one of the greatest writers of the twentieth century.
Ernest Miller Hemingway was born in Chicago in 1899 as the son of a doctor and the second of six children. After a stint as an ambulance driver at the Italian front, Hemingway came home to America in 1919, only to return to the battlefield - this time as a reporter on the Greco-Turkish war - in 1922. Resigning from journalism to focus on his writing instead, he moved to Paris where he renewed his earlier friendship with fellow American expatriates such as Ezra Pound and Gertrude Stein. Through the years, Hemingway travelled widely and wrote avidly, becoming an internationally recognized literary master of his craft. He received the Nobel Prize for Literature in 1954, following the publication of The Old Man and the Sea. He died in 1961.
A stunning collection of stories from the Nobel prize-winning author
The Hemingway market that wants Hemingway at his cruelest and most brutal, will want this new collection of short stories. Fourteen in all, some of them have appeared in periodicals, one is an excerpt from DEATH IN THE AFTERNOON, some have not been published previously. Suggest the cruel power of some of the stories in MEN WITHOUT WOMEN, though these are more unpleasant in character than the earlier collection. (Kirkus Reviews)
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