Invention of Hysteria by Georges Didi-Huberman - ISBN: 9780262541800
Paperback
The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria.

Invention of Hysteria

Charcot and the Photographic Iconography of the Salpêtrière

$87.63

  • Paperback

    385 pages

  • Release Date

    17 September 2004

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Summary

The first English-language publication of a classic French book on the relationship between the development of photography and of the medical category of hysteria.In this classic of French cultural studies, Georges Didi-Huberman traces the intimate and reciprocal relationship between the disciplines of psychiatry and photography in the late nineteenth century. Focusing on the immense photographic output of the Salpetriere hospital, the notorious Parisian asylum for insane and incurable women,…

Book Details

ISBN-13:9780262541800
ISBN-10:0262541807
Author:Georges Didi-Huberman, Alisa Hartz
Publisher:MIT Press Ltd
Imprint:MIT Press
Format:Paperback
Number of Pages:385
Release Date:17 September 2004
Weight:816g
Dimensions:254mm x 178mm x 25mm
Series:Invention of Hysteria
What They're Saying

Critics Review

“This poetic account of the relationship between photography and madness willinterest any student of art or mental health.” Publishers Weekly Forecasts

“This poetic account of the relationship between photography and madness will interest any student of art or mental health, for seldom have these fields been so definitively intertwined.” - Publishers Weekly

About The Author

Georges Didi-Huberman

Georges Didi-Huberman, a philosopher and art historian based in Paris, teaches at the cole des Hautes tudes en Sciences Sociales. Recipient of the 2015 Adorno Prize, he is the author of more than fifty books on the history and theory of images, including Invention of Hysteria- Charcot and the Photographic Iconography of the Salpatri re (MIT Press), Bark (MIT Press), Images in Spite of All- Four Photographs from Auschwitz, and The Surviving Image- Phantoms of Time and Time of Phantoms- Aby Warburg’s History of Art.

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