The Elephant Vanishes

How does Murakami manage to make poetry while writing of contemporary life and emotions? I am weak-kneed with admiration * Independent on Sunday *Enchanting…intriguing… All of these tales have a wonderfully surreal quality and a hip, witty tone * Wall Street Journal *All the stories take place in parallel worlds not so much remote from ordinary life as hidden within its surfaces: secret alleys that afford unexpected - and unsettling - views * New York Times *Like the best thriller fiction, it nags you with the sensation that Something Nasty is about to happen * Sunday Times *Most collections of short stories work by the interplay of different voices. This one offers the more satisfying rewards of a novel: unity of tone and a richness of recurring detail that creates its own texture: spaghetti, lawns, hamburgers, beer-drinking, kid sisters, Sunday afternoons, a man’s name * Independent *

In 1978, Haruki Murakami was 29 and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers’ award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, which turned Murakami from a writer into a phenomenon. His books became bestsellers, were translated into many languages, including English, and the door was thrown wide open to Murakami’s unique and addictive fictional universe.

Murakami writes with admirable discipline, producing ten pages a day, after which he runs ten kilometres (he began long-distance running in 1982 and has participated in numerous marathons and races), works on translations, and then reads, listens to records and cooks. His passions colour his non-fiction output, from What I Talk About When I Talk About Running to Absolutely On Music, and they also seep into his novels and short stories, providing quotidian moments in his otherwise freewheeling flights of imaginative inquiry. In works such as The Wind-Up Bird Chronicle, 1Q84 and Men Without Women, his distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring Murakami’s place as one of the world’s most acclaimed and well-loved writers.

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