A Fortunate Man

• In 1967 A Fortunate Man marked the most significant step forward in the collaboration of a writer and photographer since Let us Now Praise Famous Men by Walker Evans and James Agee. Incredibly, it still does … A masterpiece – GEOFF DYER * It’s one of my favourite books in the world, an ongoing inspiration as to how books should be written (and photography used) – ALAIN de BOTTON * A genuine tour de force …The intimate portrait of one man and his microscopic world reveals the faults and strains of a whole society OBSERVER * I only wish I could do justice in a few words to the richness that makes this book so compelling GUARDIAN * John Berger seems to me peerless; not since Lawrence has there been a writer who offers such attentiveness to the sensual world with responsiveness to the imperatives of conscience SUSAN SONTAG * A book about caring that will make you care, and a book about deep healing that may heal your soul. It is also, almost 50 years on, uncannily timely – SIMON GARFIELD * This disturbingly beautiful book will continue to haunt you long after you have set it aside – RICHARD HOLLOWAY * This extraordinary book unravels the tangled branches of the everyday to reveal the brightness within. It inspires me to think more slowly, more deeply, to wear acquired knowledge lightly, to open my senses more fully to the wonders in the plain and close-at-hand – JAMES MEEK * A masterpiece of witness; a three-way meditation on humanity, society and the value of healing – GAVIN FRANCIS

John Berger was born in London in 1926. His seminal Ways of Seeing was one of the most influential books on art in the 20th century. His many books, innovative in form and far-reaching in their historical and political insight, include To the Wedding, King, and the Booker Prize-winning novel, G. He lived and worked in a small village in the French Alps, the setting for his trilogy Into Their Labours (Pig Earth, Once in Europa and Lilac and Flag). In 2001, his collection of essays The Shape of a Pocket was published, and his Understanding a Photograph, edited by Geoff Dyer, was published in 2013. He died, aged 90, in December 2016.

Jean Mohr is a Swiss documentary photographer. He has worked with the Red Cross, the World Health Organization, and the International Labour Organization. He has produced 26 books of photography, five with his literary collaborator John Berger and one with Edward Said. In 1956 he married Simone Turrettini, a documentary filmmaker. They have two sons and four grandchildren.

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