An Inventory of Losses

A cabinet of curiosities that can be dipped into with pleasure and profit – Rupert Christiansen * Daily Telegraph *
With this collection of illuminating meditations on fact and fiction, Schalansky cements her reputation as a peerless chronicler of the fabulous, the faraway, and the forgotten * Publishers Weekly *
Pure gold storytelling – Sjon
Weaving fiction, autobiography and history, this sumptuous collection of texts offers meditations on “the diverse phenomena of decomposition and destruction” – Angel Gurria-Quintana * Financial Times “Books of the Year” *
The collection often reads like a disguised and rather ingenious form of memoir, in which vanished landmarks act as foils for the author’s own excavations of lost time … with a crackling vigour that is well served by Jackie Smith’s supple translation … Schalansky is at her strongest when she has least need to compromise. But there is no doubt that at these times, her work is very strong indeed. – Lorien Kite * Financial Times *
Schalansky’s meticulously researched stories are poignant reminders of the extent of our impact on the natural world and a call to honor the animals, objects, and places that, due to our own negligence, have ceased to exist * Kirkus Review *
Twelve fictional essays comprise this stunning work depicting animals, places, objects, and buildings that are lost forever. […] In this smooth and expert translation, internationally best-selling author Schalansky (The Giraffe’s Neck) illuminates these “lost” inventoried gems with thorough research and details, making us ponder their transitory quality * Library Journal *
A collection of twelve pieces, some essays, some short fiction, some pitched in between, on various things that have been lost … most stimulating – David Mills * The Sunday Times *
A fine example of everyone’s favourite genre: the genre-defying book, inspired by history, filtered through imagination and finished with a jeweller’s eye for detail. – John Self * Guardian *
As we deal with the consequences, emotional and material, of a pandemic, it is hard to imagine a better guide to the resources of hope than Schalansky’s deeply engaging inventory – Michael Cronin * Irish Times *
This genre-defying catalog of things that no longer exist takes on a variety of styles, from researched histories to richly imagined narratives. A vanished island, the Caspian tiger, Sappho’s lost poems: Each gives rise to a fascinating study of disappearance. * New York Times *

Judith Schalansky was born in Greifswald in former East Germany in 1980 and studied art history and communication design. Her international best-seller, Atlas of Remote Islands, won the Stiftung Buchkunst (the Art Book Award) for “the most beautifully designed book of the year”, while her novel The Giraffe’s Neck in the English translation by Shaun Whiteside won a special commendation of the Schlegel-Tieck Prize for the best translation from German in 2015. Both books have been translated into more than twenty languages. Schalansky works as a freelance writer and book designer in Berlin, where she is also publisher of a prestigious natural history list, Matthes und Seitz.

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