A twelve-year-old boy runs into his local police station claiming to have seen a brutally dismembered corpse. Errki's doctor refuses to believe that he could have committed such an horrific act and, for the first time since his wife's death, Inspector Sejer finds himself intrigued by another woman.
A twelve-year-old boy runs wildly into his local police station claiming to have seen Halldis Horn's brutally murdered corpse. Errki Johrma, an escaped psychiatric patient and known town misfit, was sighted at the scene disappearing into the woods. The next morning the local bank is robbed at gunpoint. Making his escape the robber takes a hostage and flees and, once again, a suspect takes to the woods. As the felon's plans begin to fall apart he is, in contrast to his quiet hostage, rapidly losing his control and power. Meanwhile the search for Halldis Horn's killer continues. All fingers of suspicion point to Errki - except one. Errki's doctor refuses to believe that he could have committed such an horrific act and, for the first time since his wife's death, the quiet Inspector finds himself intrigued by another woman. Despite all assumptions a lack of concrete evidence holds back the case to convict Errki for murder. But in a novel that will keep you desperate to turn each new page to find out more, Fossum brilliantly ensures that things are rarely as they would at first appear. From the deeply sympathetic policeman to the social outcast of Errki and the bank robber thoroughly unsuited to his profession, Fossum writes from within the minds of her characters with great lucidity - but she never gives too much away.
Karin Fossum made her literary debut in Norway with a collection of poetry in 1974. Her crime novels featuring Inspector Konrad Sejer are published in sixteen languages. "From the Paperback edition."
"Terribly clever and enjoyably sly. Great stuff" Daily Telegraph "Brings Ruth Rendell irresistibly to mind" Independent on Sunday "Fossum's presentation of her characters is marked by an intelligence and compassion that is not often found in the pages of crime fiction" -- Donna Leon Sunday Times
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