The Submerged Plot and the Mother's Pleasure from Jane Austen to Arundhati Roy by Kelly A. Marsh - ISBN: 9780814252611
Paperback
Explores how the unnarratable can be communicated in fiction and offers new insights about mother and daughter plotlines in nineteenth- and twentieth-century Anglophone novels.

The Submerged Plot and the Mother's Pleasure from Jane Austen to Arundhati Roy

$65.49

  • Paperback

    296 pages

  • Release Date

    2 August 2018

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Summary

In The Submerged Plot and the Mother’s Pleasure from Jane Austen to Arundhati Roy, Kelly A. Marsh examines the familiar, overt plot of the motherless daughter growing into maturity and argues that it is accompanied by a covert plot. Marsh’s insightful analyses of nineteenth- and twentieth-century Anglophone novels reveal that these novels are far richer and more complexly layered than the overt plot alone suggests. According to Marsh, as the daughter approaches adulthood and marriage, …

Book Details

ISBN-13:9780814252611
ISBN-10:0814252613
Author:Kelly A. Marsh
Publisher:Ohio State University Press
Imprint:Ohio State University Press
Format:Paperback
Number of Pages:296
Edition:1st
Release Date:2 August 2018
Weight:440g
Dimensions:229mm x 152mm x 17mm
Series:Theory and Interpretation of Narrative
What They're Saying

Critics Review

“Marsh’s argument–a discovery of the submerged daughter plot as a telling of the absent mother’s unnarratable plot of sexual pleasure–is a rhetorical story narrative theorists and scholars more generally of the Anglophone novel of the nineteenth century to the present will find compelling. In addition, scholars of women’s studies and feminist criticism will find the work important, as it enriches our understanding of how the novel explores the rhetorical construction of mother-daughter relations and a woman’s sexuality and pleasure.” –Kay Young, University of California, Santa Barbara


The Submerged Plot and the Mother’s Pleasure from Jane Austen to Arundhati Roy is a very significant rereading of the Victorian courtship novel and its twentieth-century heirs. It recenters the courtship novel on the absent mother and revalues the vilified mothers in more recent stories of injured and alienated daughters. Marsh’s study makes significant contributions to feminist literary criticism, to narrative theory, and to scholarship on the novel.” –Margaret Homans, Yale University

About The Author

Kelly A. Marsh

Kelly A. Marsh is Associate Professor of English at Mississippi State University.

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