The Fruit Thief

“An experience of unadulterated literature … The first three words announce in a classical, almost fairy-tale-like way that a narrative of sorts has indeed commenced, while simultaneously erecting a frame of self-awareness that puts us at a slight remove from it–a hint, perhaps, that what follows will encompass a deconstruction of stories themselves, their telling and their tellers.” –Rob Doyle, The New York Times Book Review

“Handke often emphasizes not an event but, rather, a seemingly minor moment, the significance of which the person who experiences it does not even recognize … [A] sense of intense presentness is the book’s governing principle … There is pleasure in watching this narrative wend its leisurely way to a conclusion.” –Ruth Franklin, The New Yorker

When Handke won the Nobel Prize in 2019, the committee noted his interest in ‘the periphery and specificity of human experience.’ Considering his novel, this is an understatement … [The Fruit Thief] is almost a prehistory of experience, a demanding, engrossing narrative … Handke offers a reading experience that requires, and repays, a certain surrender.” –Michael Autrey, Booklist

“Handke’s control of his prose is impressive and unwavering, and by the end [of Quiet Places] I had come to share many of his unusual fascinations.” –Timothy Parfitt, New City

“A gorgeous, multi-layered tapestry … Narrated by an elderly man who steps on a bee, this latest from Nobel laureate Handke (A Sorrow Beyond Dreams) takes readers on an intimate journey through the cities, towns, and rural expanses of north-central France … Handke is a marvel at capturing and digging deeply into the history, sights, sounds, smells, and feel of France, which comes alive in his masterly hands.” –Jacqueline Snider, Library Journal (starred review)

”[Handke] is a savvy explorer of the minutiae of human experience, and makes every hour of his wanderer’s sojourn ‘dramatic, even if nothing happened, ’ as the narrator notes. Handke’s descriptions … offer much to savor. It adds up to a powerful anthem for ‘the eternally daunted undaunted’ … Admirers of the stylistically cavalier Handke will be rewarded for taking in the scenery of this story.” –Publishers Weekly

Peter Handke was born in Griffen, Austria, in 1942. His many novels include The Goalie’s Anxiety at the Penalty Kick, A Sorrow Beyond Dreams, My Year in the No-Man’s-Bay, and Crossing the Sierra de Gredos. Handke’s dramatic works include Kaspar and the screenplay for Wim Wenders’s Wings of Desire. Handke is the recipient of many major literary awards, including the Georg Büchner, Franz Kafka, and Thomas Mann Prizes and the International Ibsen Award. In 2019, he was awarded the Nobel Prize in Literature “for an influential work that with linguistic ingenuity has explored the periphery and the specificity of human experience.”

Krishna Winston, now retired from teaching German literature and environmental studies at Wesleyan University, has been translating the work of Peter Handke since 1993. She has translated the work of many other authors, including Johann Wolfgang von Goethe, Günter Grass, Christoph Hein, and Werner Herzog.

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