Last Words from Montmartre

Qiu’s voice, both colloquial and metaphysical, enchants… It would be wrong to interpret the book’s-or, for that matter, the author’s-ultimate surrender to death as a rejection of the richness of life; rather, like Goethe’s young Werther, this ‘last testament’ (an alternative translation of the title) affirms the power of literature. Publishers Weekly Last Words from Montmartre is urgent, ecstatic, unbridled, and breathtakingly intimate. Qiu Miaojin is a writer who truly defies categorization, and this book, her last-part confession, part love letter, part fiction, part memoir, part suicide notes-is a thrilling testament to her original mind and impassioned heart. Sarah Shun-lien Bynum Last Words from Montmartre is deeply, soulfully moving in its excruciating revelation of the author’s innermost self, which is after all what makes the magic of literature. I felt a secret intimacy with Qiu Miaojin from the first page. Wang Dan Qiu Miaojin…had an exceptional talent. Her voice is assertive, intellectual, witty, lyrical, and intimate. Several years after her death, her works continue to command a huge following. Tze-lan Deborah Sang What makes Kerouac or Salinger timeless is not necessarily literary, but perhaps didactic: the fact that there is wisdom to be found at the fountain of youth, no matter what time one arrives. Of course, there is also a saintliness reserved for those authors who are able to make an interesting life story for themselves, and that order includes Qiu Miaojin. Bonnie Huie, PEN America blog Qiu’s unique literary style mingl[es] cerebral, experimental language use, psychological realism, biting social critique through allegory, and a surrealist effect deriving from the use of arrestingly unusual metaphors. Fran Martin

Qiu Miaojin (1969-1995)-one of Taiwan’s most innovative literary modernists, and the country’s most renowned lesbian writer-was born in Chuanghua County in western Taiwan. She graduated with a degree in psychology from National Taiwan University and pursued graduate studies in clinical psychology at the University of Paris VIII . Her first published story, “Prisoner,” received the Central Daily News Short Story Prize, and her novella Lonely Crowds won the United Literature Association Award. While in Paris, she directed a thirty-minute film called Ghost Carnival, and not long after this, at the age of twenty-six, she committed suicide. The posthumous publications of her novels Last Words from Montmartre and Notes of a Crocodile made her into one of the most revered countercultural icons in Chinese letters. After her death in 1995, she was given the China Times Honorary Prize for Literature. In 2007, a two-volume edition of her Diaries was published.

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