The Lost Studios
Reconstructing the Great American Recording Spaces
$50.99
- Hardcover
208 pages
- Release Date
21 January 2027
Summary
The definitive guide to the lost, lamented titans of American recordings studios.
Record Plant. Stax. The Automatt. Caribou Ranch. These and other legendary American recording studios are no longer standing, but their legacies and distinctive sounds live on in countless stories and classic recordings, from Billy Joel to Captain Beefheart, David Bowie to the Pointer Sisters.
Now, for the first time, comprehensive technical details, gear lists, dimensions, and m…
Book Details
| ISBN-13: | 9798765142875 |
|---|---|
| Author: | Richard Adlam, Glenn Berger |
| Publisher: | Bloomsbury Publishing Plc |
| Imprint: | Backbeat |
| Format: | Hardcover |
| Number of Pages: | 208 |
| Release Date: | 21 January 2027 |
| Weight: | 454g |
| Dimensions: | 215mm x 280mm |

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Critics Review
A must have book for anyone interested in recording music. It’s great to read about and see the spaces that so many classic songs were created in. Pre DAW’s , real rooms , real mixing desks , tape machines, microphones and of course people. First class. * Rob Harris, guitarist for Jamiroquai *
Simultaneously a historical musical document, and inspiration to future record makers. I really love seeing where and how classic artists and albums were recorded. * Ken Lewis, 2-Time Grammy-Winning producer and engineer *
This is an amazing book charting the history of these incredible studios. The detail of the studios and equipment is incredible. This is a must have book! * Andy Bradfield, mix engineer *
Richard Adlam
Richard Adlam, A.K.A. “Fiasco,” is a UK-based music producer from Essex. He has contributed to album projects for a wide range of prominent artists including Ed Sheeran, Harry Styles, Dua Lipa, Lil Wayne, Taylor Swift, One Direction, Kanye West, Bruno Mars, and Iggy Azalea. His work has been recognized with five Grammy awards and fifteen Grammy nominations. Adlam’s company, Replay Heaven, focuses on creating high-quality “soundalikes” for use in studio recordings, as samples in club and hip-hop music, and in advertisements.
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