Wrong Feast

“In Wrong Feast, Rivka Clifton offers us entire, unforgettable worlds—glorious coexistences of mystery and clarity—embodying the unsettling overlaps and interstices of encounter. It’s a profound pleasure to witness this poet’s imagination as it digs deep into the work it was so clearly meant to do, unfolding visions with a music so naturally and powerfully realized, the progressions seem to have emerged from the very helixes of language itself. It’s been a long time since I’ve read a book that made new for me, to this extent, the fundamental strangeness of existence; I am grateful to Wrong Feast for reminding me how attention opens us to astonishment: in a poem, in a life.” —Gabrielle Bates, author of Judas Goat

“Wrong Feast is a book situated in ethereal ecotones and liminal minglings. Where the erotic meets mortality, where the spirit meets the body, where one dream-meets another—this is the landscape where these poems unfold. With exquisite lyricism, visceral imagery, and deep insight, Rivka Clifton crafts transformative poems of becoming that smoke and singe.” —Kathryn Nuernberger, author of Held: Essays in Belonging

“’Visitation,” one of the many contemporary fables in Rivka Clifton’s striking Wrong Feast, ends with a satyr disgorging “dozens of paper balls” that “came / out and blossomed into deposit slips when they hit the ground.” Clifton’s poems issue forth many such surprises and transformations: Matryoshka dolls quaking on a shelf, an alligator with a python’s head, a fish with dollars spilling from its gut, a man romping in a dog mask. The book’s surreal narratives unfold in gas station parking lots and fence-lined city streets and pulsating clubs, meditating on an urban world marked by capitalism, popular culture, mass production, and, of course, consumption. Wrong Feast is wryly and darkly humorous and also elegiac, its many eyes turned to societal cruelty, environmental decay, and to more particular and personal losses. “Too often the eye cannot make sense of what it sees,” “The Awkward Animal” tells us, but in these remarkable poems, Clifton helps us envision a way through our bewilderment.” —Corey Marks, author of The Rock That Is Not A Rabbit

Rivka Clifton is the transfemme author of Muzzle (JackLeg Press, 2025) as well as the chapbooks MOT and Agape (Osmanthus Press). Clifton’s work has appeared in Pleiades, Guernica, Black Warrior Review, Colorado Review, and other magazines. She lives in Seattle.

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