1967

***** It’s funny and sparkling with a wild, questioning energy … One of the joys of this charming and compulsively perceptive work is the way the past loops, fountain-like, into the present and back; and how sharp his sense of the source remains. It is a kind of time-travel – Nicola Shulman * Telegraph *
Delightful … Dense with time-travel reminiscence and sharp musical analysis, 1967 comes closer than most to showing how music can switch on the lights, switch on a life – Victoria Segal * Mojo Magazine *
Wonderfully surreal turns * Spectator *
One could never accuse cult UK songwriter Robyn Hitchcock of being boring, and throughout 1967, he constantly surprises … poignant yet affable’ * Irish Times *

Hitchcock skilfully brings to life the turning point, for the younger generation at least, which was 1967 as post war Britain with its slightly curled egg and cress sandwiches took flight on psychedelic wings. Like a hipper version of Anthony Buckeridge’s schoolboy hero, Jennings, he adroitly describes the faintly
homoerotic undertones of boarding school life while his accounts of the records and musicians he discovers vividly capture the excitement and adventure of the music of the time. That he does so in his unique style, droll and with the occasional whiff of whimsy and surrealism, familiar to anyone who has seen him live, is the icing on the cake. One can easily picture him telling any of these tales in between songs on stage … a delightful read

With a career now spanning six decades, Robyn Hitchcock remains a truly one-of-a-kind artist: surrealist rock ‘n’ roller, iconic troubadour, guitarist, poet, painter, performer. An unparalleled, deeply individualistic songwriter and stylist, Hitchcock has traversed myriad genres with humour, intelligence and originality over more than thirty albums and seemingly infinite live performances. From the Soft Boys’ protopsych-punk and the Egyptians’ Dadaist pop, to solo masterpieces like 1984’s milestone ‘I Often Dream of Trains’ and 1990’s Eye, Hitchcock has crafted a strikingly original oeuvre rife with sagacious observation, astringent wit, recurring marine life, mechanised rail services, cheese, Clint Eastwood, and innumerable finely drawn characters both real and imagined. His songs have been covered by R.E.M., Gillian Welch and David Rawlings, Neko Case and Suzanne Vega with the Grateful Dead, amongst others. His main interest outside music, writing and drawing, is obsolete electric traction. He is based in Nashville with his wife Emma and their cats Ringo and Tubby.

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