A history of India since independence seen through the eyes of characters born on that independence was granted.
This is a history of India since independence, seen through the eyes of characters born on the day that independence was granted. The book is a multi-layered narrative, in which the complexities of the sub-continent are projected through the minds of its many characters. "Midnight's Children" was voted in the Booker of Bookers in 1993.
Salman Rushdie is the author of thirteen previous novels - Grimus, Midnight's Children (for which he won the Booker Prize and the Best of the Booker), Shame, The Satanic Verses, Haroun and the Sea of Stories, The Moor's Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown, The Enchantress of Florence, Luka and the Fire of Life, Two Years, Eight Months, and Twenty-Eight Nights, and The Golden House - and one collection of short stories: East, West. He has also published four works of non-fiction - Joseph Anton, The Jaguar Smile, Imaginary Homelands, and Step Across This Line - and co-edited two anthologies, Mirrorwork and Best American Short Stories 2008. He is a member of the American Academy of Arts and Letters and a Distinguished Writer in Residence at New York University. A former president of PEN American Center, Rushdie was knighted in 2007 for services to literature.
" Extraordinary . . . one of the most important [novels] to come out of the English-speaking world in this generation." - The New York Review of Books " The literary map of India is about to be redrawn. . . . Midnight's Children sounds like a continent finding its voice." - The New York Times " In Salman Rushdie, India has produced a glittering novelist- one with startling imaginative and intellectual resources, a master of perpetual storytelling." - The New Yorker " A marvelous epic . . . Rushdie's prose snaps into playback and flash-forward . . . stopping on images, vistas, and characters of unforgettable presence. Their range is as rich as India herself." - Newsweek " Burgeons with life, with exuberance and fantasy . . . Rushdie is a writer of courage, impressive strength, and sheer stylistic brilliance." - The Washington Post Book World " Pure story- an ebullient, wildly clowning, satirical, descriptively witty charge of energy." - Chicago Sun-Times
When Indian novelist Rushdie arrived with Grimus in 1979 we called him "an imagination to watch." And he'll be watched indeed once this bravura fiction starts circulating - a picaresque entertainment that's clearly inspired by close readings of the modern South American fabulists and, above all, Sterne's Tristram Shandy. Rushdie's own Tristram is named Saleem Sinai - and he is born at the stroke of midnight, August 15, 1947, making him exactly contemporary with the life of India-as-a-nation. In fact, Saleem and 580 other "midnight children" born at that moment grow up to find themselves equipped with powers of telepathic communication, foresight, and heightened individual sensoria: Saleem's particular gift is a "cucumber" of a nose with which he goes through life literally smelling change. The Sinai family, originally Kashmiri Moslems, migrate to Bombay, living in ex-colonial digs. And a switch at birth with a neighbor's baby seeds narrative trouble that flowers at different times later on in the book: opera buffa complications all the way. Saleem seems to be in the middle of all cataclysmic Indian events, too. He's present during language riots and a dinner-party coup in Pakistan (where his mother fled after a marital spat involving the revealed baby-switch). Because of his olfactory talent, he becomes a "man-dog" tracker for a Pakistani military unit during the debacle in Bangladesh. And, back in Bombay, Saleem is clapped into jail with the other "midnight children" by "the Widow" - Indira Gandhi - during the dictatorial Emergency. Rushdie swoops, all colors unfurled, all stops out, through and around his synchronic fable with great gusto and sentimental fizz. And though such a rodomontade would be shameless if made out of more familiar material, the sub-continental excessiveness (and the fascinating history lesson which is incidentally built in) keeps us loading and firing right along. Tour de force, in other words - and so, of course, a little exhausting; but, unlike other fantastical picaresques, this one is truly worth the effort. A big striped balloon of a book, often dizzying with talent. (Kirkus Reviews)
Winner of Booker of Bookers 1993
Winner of James Tait Black Memorial Prize (Fiction) 1981
Winner of Booker Prize for Fiction 1981
Runner-up for The BBC Big Read Top 100 2003
Short-listed for Best of the Booker 2008
Short-listed for BBC Big Read Top 100 2003
Shop Now. Enjoy Now. Pay Later.
Pay in four simple instalments, available instantly at checkout.
All you need is:
1) An Australian credit or debit card; 2) To be at least 18 years of age; 3) To live in Australia
To see Afterpay's complete terms, visit https://www.afterpay.com/en-AU/terms