Belonging

A magnificent achievement… [a] parade of bustlingly vital characters from across the globe … all painted in luminous colour… By offering such a throbbing cavalcade of characters, Schama is defying several key assumptions, even stereotypes, about Jewish history and Jews themselves… Above all, while much Jewish history can read like a sorrowful trudge through disaster, plague and pogrom, Schama’s book teems with life rather than death – Jonathan Freedland * Guardian *
Magisterial … the product of a world-class historian at the peak of his creative powers … rich, ornate, intensely evocative and sensory. With astonishing range and extraordinary synthesising powers, Schama captures the drama of Jewish history. * Financial Times *
A rich melody that soars above the ground bass of prejudice and persecution … Schama has made himself the leading virtuoso of our time. This second volume of this trilogy is an affirmation of faith in the grand narrative … Its familiar and familial tone proclaims the author’s unapologetic mission to play his part in the story of the Jews by bringing their history alive… [A] glittering gemstone of a book – Daniel Johnson * The Times *
So beautifully written it regularly takes your breath away, it is a book far greater than the sum of its parts. Daunted by its colossal size, I started reading with some trepidation; I finished filled with wonder and delight. – Abigail Green * Times Literary Supplement *
An extraordinary cultural journey, filled with astonishingly colourful and outrageous characters … Schama delivers a superb and thrilling ride, both inspirational and tragic. – Simon Sebag Montefiore * Mail on Sunday *
Magisterial… a wonderfully rich narrative … The third and final volume won’t be easy reading. But at least in the company of Schama – one of the finest writers and thinkers of his generation – we’re guaranteed a guide both insightful and eloquent – Saul David * Daily Telegraph *
Rich, complex and fascinating … Schama maintains the attention with the vividness of his writing and his talent for unearthing gripping figures full of human contradictions. And through this dazzling immersion in the preoccupations of the period that the bigger picture slowly emerges … Profoundly illuminating – Andrew Anthony * Observer *
Simon Schama is an international treasure … By painterly touches, he manages to convey colour, texture, shape, context, light and shadow, as well as to stimulate the senses … He is imaginative, epigrammatic and fearless … an effervescent cicerone who instructs and entertains in like measure. – Bernard Wasserstein * Spectator *
Immensely erudite and compulsively readable … The importance of Schama’s book is that it forces the reader to think about how the long and shameful legacy of Christian hatred for Jews is reworked in “enlightened” society… Deeply engaging – Rowan Williams * New Statesman *
Schama is a talented storyteller with a dramatist’s eye for character … Schama leavens his tale with wit and charm, while also displaying remarkable breadth of research and erudition, ranging fluently from Sephardic merchant princes in the Mediterranean to fevered kabbalistic sects in Galilee – Josh Glancy * Sunday Times *

Simon Schama is University Professor of Art History and History at Columbia University. His award-winning books, translated into fifteen languages, include Citizens, Landscape and Memory, Rembrandt’s Eyes, A History of Britain, The Power of Art, Rough Crossings, The American Future, The Face of Britain and The Story of the Jews- Finding the Words (1000 BCE - 1492). His art columns for the New Yorker won the National Magazine Award for criticism and his journalism has appeared regularly in the Guardian and the Financial Times where he is Contributing Editor. He has written and presented more than fifty films for the BBC on subjects as diverse as Tolstoy, American politics, and The Story of the Jews and is co-presenter of a new landmark series on the history of world art, Civilisations.

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